lost and found

Cleaning out the basement was like finding a long spiraling staircase into our family, winding and intricate, exhausting and dizzying.

photo by bourget_82.

"Today is Finder's Day," my daughter tells me as she plays with a baby toy she once adored. "The day we find things." We found a box of hand-me-down big boy clothes for Thor that we tucked away for when he was big--3T-4T. He fits into them now. It is good luck, I am informed as the children tug at me, showing me a wheat penny underfoot. I found clothing from my single working life. Six power suits ranging in sizes from Size 4 to Size 12, plus three additional maternity suits. T-shirts that went to New Zealand, Puerto Rico, California, Italy, New Jersey, across the border into Mexico to buy tequila on the cheap. I found my favorite jeans. Ever. My hoodies for cycling. That perfect skirt from Anthropologie with feather fabric. I found all the little shoes, some worn only twice, before Beezus grew out of them. We made a pile of baby stuff--high chairs and cribs and beds that are not quite adult-sized. We are done now with miniature things.

There were boxes of Christmas ornaments bought at the drug store on Christmas eve, made of cheap glass and glitter. Photographs of my parents married and remarkably young, one of my ex-husband and one of me--thin, drinking bourbon, and not wearing a bra. I found parts of myself lost through the years of grief -- the single person, the happy person, the moderate drinker, the tortured corporate lackey, the caregiver, the auntie, the non-grieving mother. I'd forgotten about those people. I searched their faces looking for something that might explain why my baby died and how I became this person.

I was stoic about the process, then grateful for it. Afterward, almost excited at all the space we now had in our basement and in our heads. As I dug through clothes, piles of boxes, I realized how this stuff kept me simultaneously in the past and in the future, but not anywhere close to the present. I kept skinny clothes for a day somewhere down the line where everything would be back to the way it was. It was the same thing with the baby clothes. It was as though we freed ourselves under the weight of next time. I dug through boxes and boxes of little girl clothes marked Beezus Aged Younger Than Now, but still they felt like Lucia's clothing. I saved them for her. I was still waiting for her even up until this miscarriage last month. I saved nothing of Thor's, I admit. I sent all his newborn things to babylost mamas waiting for their next baby to come. But the girl stuff, the stuff meant for Lucia, was put in bins, preserved for the little sister that never came.

Later in the day, I notice a dark stone nestled in moss outside. I bend to pick it up. A caracol shell broken and exposed, its spiral clear and strong. It is exquisite in its brokenness, still filled with something weighty like emptiness. Caracol, I realize, is Spanish. It is a snail shell--slate grey with white and black. The intricacies of its chambers remind me of the sacred spiral. Fibonacci's sequence. The divine ratio. I pocket it.

I had an obsession with drawing the Fibonacci sequence after Lucia died. 0, 1, 1, 2, 3, 5, 8, 13 , 21,...I wanted my kitchen backsplash to be designed in the shape of it-one tile, one tile, two tiles, three tiles, five tiles...the front walkway, the back brick pattern, a tattoo, her name.

If I added each loss, the thousands of losses after her death, with the last, the next, the next, grief expanded in me, cut me up into this spiraled pattern. I was put together in a twisting line of boxes something wholly different than I was, turned around and back again, but something like me. Or more me. Lost and found. I felt expansive, larger inside than out. Emoting the emptiness I felt. Her death erased the color of me, blurred my subtleties into pockets of blackness separated by a thin white delicate casing. I became the curious dark holes in the shell of me, lines curving downward, spiraling into a simple black dot.

Three plus years ago, I packaged my grief into bins for another day, put them in my basement. I kept doing that with each stage of clothing Beezus grew out of, waiting for Lucia to return and wear them. I hid the hope away in the chambers of my shell. They are labeled anger and guilt and regret and resentment. Sometimes they are labeled not giving a shit. They were parts of my grief that feel like vital organs. I couldn't imagine living without them, so I carried them on my back, filling the space around me. Until it broke off my back, nestled into a bed of moss and waited for someone to pick it up.

It is Finder's Day. We go into the backyard and pick all that we find. Squash blossoms and fiddleheads. Bark and dandelion. We soak them in vinegar and salt and sugar, serve the strange found food to the guests. We empty the bins of what we wish we were. The bins of what we used to be. The bins of envy. The bins with more children to fill the hole of the one we lost. We fill thirteen contractor bags of those wishes, give them away for another family to make a home, a large perfectly symmetrical shell of happiness that is broken to us, but perfectly useable to others, nonetheless. It is hopeful even.

Our life feels all new now without those bins. Our home is emptier than we thought it would be, but it is perfect, nonetheless.

What things did you pack away things for your child or children that were never used? Were you able to give it away, or do you hold on to those things? Why or why not? How do you think holding onto these things helps or hurts you? Conversely, what things have you lost and found in your grief journey?

raven

I am wearing a pink gown, the opening in the front. I am grateful for that small gift--back openings makes me feel so vulnerable and undignified. There is a paper blanket covering my legs. My shaking hands fumble with the thinness. I tear a hole in the thigh. It is not meant to keep me warm, I remind myself. There is a blood stain on it, already. I lean back on the table. There is a skylight over the stirrups. The rain falls like a war drum, hard, without rhythm, but persistent. The wet leaves cover the bottom of the skylight.

 

Nature keeps falling, water and leaves. Dead things that look alive. I stare at the counter. Purell and ultrasound gel. A pap smear kit, and non-latex gloves. A black bird flies over the building. It looks like a shadow of a happier bird, something predatory, but special. I know the baby is dead before he tells me. I have imagined the baby dead in all the moments I am not actively thinking she might be alive. But I wait for him to say it aloud.

 

The doctor tells me it looks like a miscarriage. I am twelve weeks pregnant, but with the labwork and the bleeding and the ultrasound without a heartbeat, an empty sac, perhaps, the baby is gone, or was never there. A paradox I may never unravel. My uterus growing and believing, even while I am stunted and cynical.

 

The doctor convinces me to go for another ultrasound because of the trauma of Lucy's death. He thinks I should see there is no heartbeat again. He said, "Just so you know, deep within you, that we did not make a mistake." And I tell him steadily without tears in my voice that I held my dead baby and I still thought it was a mistake. Her skin was torn and growing colder, and I thought she would live again. I thought there was some system-wide error, that she could still come back, if someone did something other than mourn. I thought I could puff my lungs up, cover her nose and lips, and breathe life back into her, as though the doctors and nurses hadn't quite thought of that yet. "She just needs some air," I wanted to explain. "We just need to remind her to breathe."

 

Sometimes I still think that perhaps we cremated her too soon.

 

I watched a hawk chase a raven, diving and attacking. It was a spectacular show above us as we hiked through the woods to a waterfall. We all stopped and gawked. I bent over in the first bangs of unbearable cramping. The ravens have been around me all this month, waiting for the death in me to escape. The ravens swoop low, cross in front of my car, reminding me that I can lose once, lose twice, I could lose them all. It has been an unkindness of omens--dead baby birds on my front steps and ravens, stopping me in the street, daring me to hit them. Maybe I should call the nevermore baby, Raven, the blackness, the hole within me.

 

I received an email just as I began bleeding. "Your life is beautiful, so beautiful now. Do you appreciate it? I think you do. I appreciate it, but I can't bear it. I have to look away. It is painful how beautiful it is." It is beautiful, even though our daughter died. I made something else out of her death--a life I always wanted to live. I understand if someone can't bear it. Joy reminds me of grief too. Happy reminds me of sad. And besides, two children is something, I get that. Two living children cover the holes where the others were. You'd never notice if you didn't search for the spaces where others were supposed to be, if you didn't read our stances and our smiles. It would be hard not to believe the lies we are telling in our photographed smiles. My dead outnumber my living now, but still two children is not all of your children dead. I do appreciate it.

 

What I wanted to say, though, is that we still suffer. We have a beautiful life, but we still suffer.

 

They search my womb and they don't find the baby. The technician says the baby is dead, even though she is not supposed to say it aloud. Words I needed to hear. In moments, I begin the process of miscarriage, passing clots and tissue. As though my body was holding onto her, until someone could speak the truth that she died. The little dot inside of me that was growing once is gone now. The children would ask me how big she is every day. And I would tell them the size of an olive, the size of a lime, the size of a peach. But she was no size, just my womb grew, making space for an unkindness. She is an empty space now. A hole of what could have been.

 

I thought I could slip under the radar with one more quick baby, like Fate could turn her attention somewhere else for a quick nine months. "The last time. The only time. One chance," I said to my husband. "One more chance at one more child, then nevermore."

 

photo by Brian Auer.

I know what I know and I still got baby greedy. I still thought somewhere in me that things would end differently. I am not ranking my sadness, but this is a small grief compared to Lucy. Lucy died, and I held her. I felt like I knew her, she was in my womb for 38 weeks nary a thought of life without her. I never imagined her dead in those 38 weeks. But my little raven died and I only ever imagined her dead. (It didn't help the pain.) 

 

Perching on the fence in my backyard, like the raven, Grief waits for the physical pain to subside to invite himself into our home again. I reacquaint with Grief, another stodgy old raven wearing black. He is silent, never flitting, still is sitting, still is sitting, sitting by my office door, whispering, "Nevermore."

 

 

Have you experienced a miscarriage before or after your loss? How did the grief differ? How was it the same? Did the expectation of loss help with the reality of it? If you have only suffered from one loss or none, how do you abide with others in this community who suffer from multiple losses, or who have not suffered from multiple losses? How do you feel Grief stalks you? Like a raven or a hawk?

questions and answers

photo by wakingphotolife.

What is Lucy made of, Mama?

She is made of people ash with bone.

She is white, almost. Sometimes grey.

She had no knuckles, she was too young, I think. So there are no knuckles bones. So she is the other bones with people ash. That is what her body is made of, daughter.

But the important part of her is made of whispers and prayers and paint fumes on a spring morning, a candle lit to push away the stink of it, and a moment we took advantage of. The wind blows the chimes in the dining room.

She is made of chimes.

She is made of sprouts and nests and small mites writhing in hay. There is a chipmunk who sits on the roof of the garage. I wave to him every morning. She is made out of him.

She is made of wood blocks and printing ink. She is made of porcelain and  papier-mâché. She is made of vine charcoal and 90lb. paper, shredded and waterlogged with seeds embedded in its pulp. She is made of summer and fiddleheads. Yoga and smoothies with berries and almond butter. She is made of long flowing skirts, and a purple dress that made me look like Barney, but feel like a goddess.

She is made of email fights and heartbreak and broken clavicles, too. I try not to talk about that part of her, because I used to believe that the dark parts of her making killed her. Sometimes I think that is what made her live so long. It gave her tenacity. She is made of strength.

She is made of the moon. Further, she is the moon. Hanging effortlessly over our nights, disappearing gradually day by day, and then appearing again, brighter and closer than ever. She is also made of winter solstice. She is made of icicles and darkness and sad songs about sunshine and being taken away

She is made of atoms and stardust and self-sacrifice. She is made of nothing, but everything.

How old is Lucy now, Mama?

She is as old as the trees, my love. Her roots are so far into the earth, they are lava and rock. She is the Anasazi. She is the crone. She is the baby whose bough is breaking. She is as old as the canyons and young as the idea. She is a moss-covered age, one with ferns at her base. She is sixteen and driving erratically. She is eighty and hunched over in secret lives never lived.

She is three and two months old. Younger than you, but also ancient, like the gods, and at the same time, she is always newborn.

What happens when we die, Mama?

Our skin grows cold and turns ashen. Our body becomes stiff. The skin around the fingernails recede making every fingernail longer. The skin hides away and reveals something animal about our humanity. The meaning of life is gone then. The carnal meaning, I mean. The impulse for more is gone. We are just skin and bone. We are carbon, filtering into earth. It nourishes something lovely, we like to think. That also is transitory. The spark leaves our eyes and enters other people's hearts and burns brightly. So brightly it feels like fear. I want to tell you that our body is a shell, as cumbersome and heavy as a turtle. We figured out how to carry it, but it is not comfortable. The part that rots and makes a home for other creatures of the dark, that part is not us. It is something else. It is soil. It is life in its death. We do not have a soul, baby. We are a soul and have a body. I read that once. I believe that.

But what happens to our soul, baby, is not my privilege to know. I just sense that we become part of every person and everything, like a raindrop falling into the ocean. Can we separate the raindrop again? Never, but we still are water.

What do you think happens when we die, baby?

I think we go into trees, Mama. That is why it is very important to hug trees.

+++

What round about answers are you giving these days? What kind of questions do you get asked, either by children or adults, that stump you? How do you answer them? What kind of questions do you ask? Are your answers concrete or esoteric? Have your answers changed over time?

or alternatively, you can just tell me what your child is made of...

the laundry

There is a craggy shore jutting around the beach. Just off  the edge of a sloping ramp, he parked over tumbled ocean rocks. My father sits in his wheelchair facing the sea. He always loved the sea. He turns and smiles at me. I stand in front of him, holding my arms out to him for leverage, but he waves me away. He stands and walks, navigating the rocks. He can walk. I can't believe it. He is healed. At night, I dream that my father can walk and that my daughter is alive. They are impossible dreams. Dreams borne of half-awake prayers that start as grounding but end in cures and resurrections and healing. He walks past me toward the wild sea, all white caps and the thunderous booms of water falling to earth. He stands before the ocean, glancing back at me before walking into the water, fully clothed, but free.

photo by RachelCreative.

I’m not sure if my father remembers that my second daughter died in my belly. But whenever I talk about how my baby died, my father cries. His sickness envelopes his body, wrenching his hand into a limp, unusable limb, seating him forever in a wheelchair. It took decades of slow torture, losing his abilities one at a time. His legs shake involuntarily like phantom remembrances of walking.

His emotions run closer to the surface now. He expresses, emotes, leaks tears despite himself. I hadn't seen my father cry until I was in my twenties, long after he was diagnosed with Multiple Sclerosis, then it seemed his crying wouldn't stop. I used to avoid making him cry. I turned away from him. It embarrassed me. I cracked a joke. But these days, it comforts me to see his humanity. It reminds me that this man is my father and I am his safe space, even though the crying is so unlike him.

He doesn't remember her name, or at least, he has never spoken her name aloud. He never has spoken of her. He has never asked me about the grief. He has never asked me how I am coping. He asks me how my new house is, even though I have been here for five years. But when I mention Lucy, he weeps. It is like he suddenly remembers. Or perhaps it is as though he is hearing it for the first time all over again. It is so sad that our baby died. He forgets, but when he hears about it, he knows it is sad.

The day after I returned from the hospital, after birthing my stillborn daughter, I called my father. I wanted him to hear my voice, to know that I was okay. I was obliterated, destroyed, yes, but I was alive and talking. When I told him the baby died, he cried. We cried together on the phone. A few minutes later, he asked me when I was coming to see him. He wanted to know when I was bringing his laundry to him.

I hung up and wept into my hands.

Birth, dead child, hemorrhoids, unused engorged breasts, no flowers, no funeral. My father still needed his clean clothes. He still needed his clothes. I didn't even begrudge him that. Even in our worst moments, we still need food, water, air, clothes. I just couldn't give him any of those things in those first weeks, particularly not clean clothes. I wept not because I was hurt, but I wept because I miss my father. I miss his health, his paternal advice. I miss all that he could have said to comfort me.

Resentment for the friends and acquaintances who said nothing was a wild, suffocating vine winding around my heart, squeezing out my compassion, clinging to my fear, bearing a bitter, inedible melon. Yet I have a vast well of patience and acceptance of my father. I suppose it is easy to have compassion for someone who is sick. To be forgiving and loving and compassionate to someone whose disease robs him of his memory, paternal instincts, and empathy. I sit cross-legged and send him compassion every day, even though twenty years ago, I wanted nothing like compassion for him. I wanted my anger. I liked my anger. But it softened after a few years, and transformed into a patient, unconditional love. That is what he gives me, unconditional love, given and received.

Last week, I heard a speaker talking about spiritual suffering. He asked the group, "If you are standing in line in a convenience store and a boy in a wheelchair cuts in front of us, would you lose your temper? Would you have words? Would you ask him to step outside? Or would you graciously give him a moment, gesture for him to take your place?" He remarked that most of us would be forgiving, compassionate, generous to the boy in the wheelchair. We all nodded. Then he asked why we don't treat everyone else in the world with the same compassion. What if you could see everyone as a spiritually sick? All the people who stepped in front of me in line, or cut me off in traffic, or berated me for one thing or another. Or those who couldn't manage a simple "I'm sorry" after the death of my daughter. What if I could see those people as spiritually helpless? Spiritually sick? Emotionally handicapped? What if I could treat everyone else as I treat my father?

After three years, I am only now getting to the point where my anger and unrelenting expectations of other's capability has softened. So much of my emotional forgiveness was spent on my father some days, I thought it sapped my reserve, as though tolerance and compassion were finite resources, quantifiable and conditioned. I wrapped myself in intolerance for people I deemed well enough to know better. Righteous indignation was my woobie, my excuse for not allowing people into my grief, to bear witness to my vulnerability, my weakness, my need for friendship and compassion.

I understand now that my father's gift to me after Lucia's death was needing me. He needed me to do his laundry. To get up and have someone to be accountable to, someone who was able to cry about how sad it was that my daughter died, but who still needed me to get up. He didn't see me as weak, absent, lacking, intolerant. He saw me as his strong, able daughter, bearing the brunt of daughter-death and father-caring. Or maybe he didn't remember her death, but perhaps that was a gift too.

Do you have different standards for support from your friends than your family? Do you expect more from your friends or family? Do you have anyone in your life who receives your patience and forgiveness despite their approach to your child(ren)'s death? What makes them different than others? 

her name

photo by  Neal.

All I ever gave her was a name.

The most beautiful thing I have ever done was to name the girl for Light and Peace. Lucia is the light. Paz is the peace. She is the light and the dark. The peace and the war. I named her long before she became who she ended up becoming. What I mean is that I named her long before she died. I named this child metaphorically. Metaphorically only if she were dead.

All I ever gave her was a name.

But what she gave me was infinite. The understanding of unconditional love, of absence, of suffering, of impermanence, of fear. (Fuck, I was afraid after she died. I was afraid of being alone and being with others.) She gave me an understanding of without. She gave me the whole of the abyss. I didn't smile when I saw her. I didn't laugh because she was here. I found her birth beautiful, but it didn't erase the horror of her death. I wish I could have at least given her the sound of joy once.

I gave her some kisses, tears. I gave her an urn. A place on the shelf in the secretary. It sits in front of all my books about God. Those things seem the least I could do, the very least.

I gave her part of my wrist. I wrote her name across it--the name I gave to her. When I tattooed it on me, I took her name back. All I gave her, I now have--the blood, the tears, the urn, the name. It was her second birthday, and I didn't know what to do anymore. I wanted her on me, in me again, blood pulsing through her little beautiful body, so I wrote her name on the inside of my wrist. The blood rushed to the spot when she removed the needles and ink. Her name written in black in a cloud of inflamed skin. With her name tattooed on me, I can always possess the only part of her I gave her. I can always send my blood to her again. When I squint my eyes, her name looks like Sanskrit, or clothes hanging on a line. Like hieroglyphics that show little symbols of grief and heartbreak and undying love.

After her name, and before it, I made two dots. She is in the middle. Two breaths. Two pauses. Not the end of my story, not the beginning, somewhere in the middle that seems like a beginning and an ending. Three years ago today, she died. Three years ago tomorrow, she was born. Even though I have integrated her death into our family, into my being, into my body, the fact catches me up. She died. Forever.

I take comfort in the physics of it. Everyone dies. This is not about me, or my family. Then I get all caught up in the metaphysics of her death. I want her back, and science won't give her to me. My four year old daughter explains to me that TracyOC's four year old daughter C. believes that when sisters die, they go into the sky. Beezus believes that when sisters die, they go into trees. I imagine in another place that weekend Tracy and I were talking about the same thing.

I don't know what I believe anymore. She is gone. Last year the moon was full, and eclipsed on her death day. The night felt magical and important, like Nature herself was reminding me of the mysteries I will never understand. Like the mystery of her death, and her life, and her holiness. In those mysteries can be a beauty, a light, and something resembling peace. There was a sense of connection in it, the death and the eclipse and the full moon and the winter. This year, I feel numb, quiet, and confused. The wind whistles through the eaves of our house, makes it sound like footsteps on the back stairs. It is solstice. It is cold and dark. It is a new moon. Total blackness. The Earth has not yet given birth to the Sun. And if she does, will the child be a dying star? A supernova in our bellies?

A shooting star across our lives, and then she is gone. Poof. Make a wish.

In the first year, I tried desperately to transform my grief into a kind of joy about her. That never worked. I could only transform it into a kind of reverence for her, a kind of worship of her holiness. I would whisper her name. Lucia Paz. She is a holiest being I know because she never spoke, or breathed, or prayed, or harmed another living soul. She just died. And in death there is a peace, maybe even a light. She was pure love given. Pure love received.

All I gave her was a name and it was someone else's name. A saint whose eyes were plucked out for being too beautiful for a celibate. When they plucked her eyes out,  God made more beautiful eyes grow back in their place. I bake Sankta Lucia buns with saffron and think about her eyes. The skin on her eyelids were torn and bruised, and I had to lift them gently to see the color. Her eyes looked dead.

We are only making them for her.

The saffron buns, I mean. She doesn't eat them. She is dead. So they stale and mold over. I mourn the buns. Sankta Lucia is celebrated on one of the darkest days of the year. Candles are lit and a little girl wears a white dress and a crown of candles. She sings a haunting song about light and peace. We remember our Lucia on the darkest day of our year. It is so dark, it never seems like day at all, just an twenty-four hour cloak of darkness over our family. The saint's eyes were plucked from her skull, like my daughter was plucked from my womb.  She didn't grow back. She floated away into the night sky and became something else, maybe a tree, or perhaps nothing.

I sit outside tonight. With ice lanterns and cocoa, I wait for the Earth to give birth to the Sun. I wait to give birth to her. My tears freeze into long icicles, hanging in front of dawn. Eternally winter solstice in my heart, eternally the darkest day. I will whisper her name to the trees, the sky, to the nothing I feel inside me. She will not come, but perhaps the waiting is the important part.


Tell me about your child's name. How did you choose it? What does it mean? Did the name change after your child died? Did the meaning change after your child(ren)'s death? Was it symbolic? Do you have any rituals or yearly practices that revolve around your child's name?

la llorona

photo by A30_Tsitika.

I paint my face like a calavera. I don't know what I am trying to achieve, making myself look dead, but I do it. I am alone. It feels like I am doing something wrong, and in that way, I am excited. I put a base of white onto my face. It reminds me of high school and listening to the Cure and being a punk rocker. Then I pull out the black face paint crayon and draw a joy there, a swirl here. Some flowers and decorations. I am more beautiful with the mask of death.

I want to feel close to her.  I want her to be amongst my posse in the afterlife, the otherworldly gang of ancestors that come when the veil between the living and the dead is thinnest, guiding me into good real estate decisions and warning me of enemies. I beckon her to come this day, the next and one after that. To rest in my arms while I dress like a calavera. We are but a whisper away from the other side. Maybe we are a coat of white face paint away.

I straddle cultures. I straddle existences. Half-white. Half-Latina. Half-mother. Half-La Llorona. I am an erstwhile Catholic and a half-assed Buddhist. I spent years living on the Mexican border in Arizona, speaking Spanish like a Chicana, and come home to a house full of Panamanians. I married a Southerner and live in New Jersey. I have attended midnight masses in four continents. I put each image of death, each candle burned, into a steaming cauldron, stew them for decades. I take some dark ideas out, adding liturgy and spells, until it is a soothing, warming bowl of ritual. Because above all else, I am a ritualist. I like rites. I like routine. I like customs. I like ceremony. I like something to do over and over because it is. What. We. Do. So I paint my face. I paint my face and I build an altar across my dining room. And I pull out the pictures of the dead.

I line up their photographs on my ofrenda. This time of year feels sacred and frightening. The leaves fall. My people fall. My grandmother. My aunt. My great-grandmother. My grandfather. My father-in-law. My daughter. So, I take a bit of them and add it to my Día de los Muertos altar. I decorate it with their funeral prayer cards, the Irish blessing written on the back. I put little bibles and prayer books. There is a rosary created by a blind nun and a bowl of fruit. I make sugar skulls. I paint a large painting of a woman crying and holding a stillborn baby. I hang it in the middle of the wall, papier-mâché skeletons flanking each side, flower lights hanging around the wooden frame.

Ssssshhhh. Don't tell anyone, but the painting is me and Lucy. It is a 16 inch by 20 inch secret done in bright acrylic. I tried to paint the Virgin Mary, but I always paint me holding Lucia and crying. It is pathological. It makes others uncomfortable. There is this show of competing artists. One of them could take pictures of nothing but clay and red dye that looked like bloody  internal organs. She suffered from colitis her whole life. She tried to create other work, but she always ended up painting organs hanging from a box. I keep painting my dead daughter. I paint death because I do not show her picture in my house, except on Day of the Dead. I put her picture in this little brightly colored frame that betrays the gray of our heartbreak. I can close it up with an orange ribbon when neighbors come by. Does anyone notice our Lucy there, lips red as the sacred heart? The lips are strange and mesmerizing to me, and I have kissed them. The dead wear makeup too.

+++

Is it okay to tell you a ghost story? It is Halloween after all. Sometimes I feel like La Llorona, the Wailing Woman, who walks the edges of ponds, arroyos, the rivers, the places where water runs and her children might wash up. See, the legend goes that her children were swept away by a flash flood, carried off dead, and she, driven insane by the grief, wanders the rivers of the world looking for them. She screams and keens into the night. In another land, the legend is that she killed her children herself, threw them in the river. But the end is the same--they are gone, and she is condemned to wander the earth. But the scream is one we all know. She screams into the night, "Dios Mio! Mi hijos! Mi hijos!" or "My God! My babies! My babies!"

She is beautiful and terrifying. Every old man and woman in Mexico has a La Llorona story, even my mother. It is a ghost story, a nightmare, to lose your children. Everyone knows that. La Llorona is a warning told to children who become young adults. Do not venture out at night or La Llorona will snatch you. Do not go meet your boyfriend by the riverbed, under that beautiful weeping willow, La Llorona will steal you from us. I am both comforted that child loss is acknowledged, even in ghost stories, as something to drive you mad, condemn you for eternity, and also sad that we have such bad PR. I get La Llorona, I do. I feel condemned some days. Like La Llorona, wild hair, wild eyes, wandering the babylost rivers of the internet, wailing, "Dios Mio! Mi hija! Mija! My daughter. My daughter. Oh  my God, my daughter."

This time seems wrought with ghosts and visions and the other world. Today is Halloween and Samhain, the Witches New Year. Tomorrow and the next day, the Days of the Dead. Tomorrow is Día de los Inocentes ("Day of the Innocents") also known as Día de los Angelitos ("Day of the Little Angels").  November 1st is a day set aside to honor children and babies who have died. We who wander the internet wailing have created our own culture around death, our own rituals of mourning. An angel writes our baby's name in the sand across the world. We write poetry. We light candles together. We trade skulls and hearts and ornaments.

I paint my face white, turn myself into a skull. I commune with the dead. I create elaborate altars for her. I summon her, conjure her baby form in the arms of my grandmothers and aunts. I stare into a bowl of water, scrying and crying. There is something comforting in the desperation of these motions. It is something other than wailing.

What ways do you honor the dead during Halloween, Samhain or Days of the Dead? Or if you don't, why not? What rituals have you created for yourself? For your family?  Are these rituals different for your baby(ies) than for your older ancestors? Do you connect with the community of parents who have lost children during October? What rituals feel most comforting to you?