Warped?

My department's administrative assistant is a very, very nice woman. I chat with her almost every day when I come into the office to check my mailbox or to pick up what I sent to the printer. Last Friday towards the end of the conversation she mentioned that she'd just been by to see her niece the day before, and that it was because the niece is due any moment. Not my favorite conversation, but I made a supportive noise. "And you know, the cord is wrapped twice around the baby. So they are going to take the baby on Tuesday if she doesn't go before then." I felt my eyes go wide at the "twice." It's an involuntary response, and it comes with the throat tightening. I am pretty sure my blood pressure jumps too.

I am, though, by now able to remain at least outwardly calm. I asked if they were planning induction or c-section for Tuesday, I nodded to her saying that the niece might go earlier as she'd already lost the mucus plug. I didn't jump in with horror stories, mine or anyone else's I know. Because in truth I know that nuchal cord occurs in a relatively sizable percentage of pregnancies, and that most times it presents no problems at all. And because this is not the way I want to tell people about A. The administrator, she doesn't know. It sounded like the doctors were aware of the risk and managing it. So I stayed mum. I thought about them on and off through the weekend. And Monday I made sure to stop by "to check my mailbox" even before dropping my stuff off in my own office. Because as rational as I am trying to be, taking pregnancy and birth related things for granted is just not something I can do. The niece is fine, by the way-- she had a healthy baby on Saturday.

It's not that I am a mess about every single pregnancy I am aware of. In fact, it's a lot harder to expect bad pregnancy-related things to happen to other people than to myself. When my sister was pregnant, she was a lot more nervous than an average bear. Understandable, as she was so very present for us, and in fact was the only person other than my husband and myself (and hospital and funeral home staff) to have seen A. But me? Not until one of the nurses called a doc about the heartbeat strip looking a tad too regular during delivery that I really really worried that something horrible may befall her too (it didn't, my nephew was just taking a little nap amidst contractions). I don't mean I assumed she'd be fine, but I didn't have the horrible pit in my stomach for her the entire time.

I think I assume other people's normal pregnancies will go normally. (Other babylost mamas are the exception, of course-- I worry there. But then none of our subsequent pregnancies are really considered low-risk, are they?) But throw in a hint of trouble, the barest, tiniest hint of trouble and this person, whether a friend, acquaintance, a blogger I just heard about, or a complete stranger begins to occupy a large chunk of my thoughts. I don't want them to know what we know. I don't want them to have a reason to google in the middle of the night. I don't want them to become one of us. Nothing I can do about it, of course.

Or mostly nothing. I once made a pregnant friend call her OB's office when we were on vacation. The friend had a stomach bug, and I was pretty sure the office would send her to the nearest hospital for fluids and monitoring. They did, and when we got there, her dehydration was so severe that there is a good chance getting there when we did prevented at least a bout of contractions. And I think that if I heard of someone who sounded like they were not getting good care or not reporting important symptoms, I would likely raise an alarm and try to get them to do something. But for more minor things I have now trained myself to stay out of it.

It doesn't take a shrink to know why signs of trouble in even complete strangers' pregnancies bug me. I mean, I had a pretty busy weekend, and I still thought about this niece I've never met more times than I've thought of most of my own friends. And because living in my own head is what I do, a lot, I also think about how it is that I react outwardly, and why. Five years on, many conversations are still not very comfortable to me. The "when" the baby comes ones are particularly not my cup of tea. But in most situations, I just look for the shortest or most graceful way out. Early on I was more likely to think of these conversations as a way to tell A's story. But now it's almost as if I am afraid that a pedestrian conversation might be beneath his memory, might get the dust of trivial onto the sacred.

It's weird, I know. One thought that used to drive me bonkers in the early months and years was that most people in the world don't know he existed, and never will know. That as important as he is to me, he is nothing to them. They can go on about their business unencumbered by the thought of him, of all this promise gone, of all the potential not only unrealized, but never even hinted at. And now I don't want to use his name in vain. It's not that it doesn't bother me anymore that others don't know. It still does. But now I don't want to shout about it from the rooftops. I want to tell, I think, in a way that gives dignity to his memory and to him.

A friend once said that she doesn't always know how to speak of A because, she said, "he is your pain." "No," I replied, "he is my son." This, I think, is why I don't talk about him every time I could-- I want him thought of primarily as my son, rather than that very sad thing that happened to me. So when I hear of a pregnancy complication, I don't want to brandish A's story (or any of the other babylost families' stories). I think I worry it would be seen as a prop. I don't want to get attention that way. But I still worry.

 

Have you been in a position to discuss someone else's risky pregnancy? How do you react? Do you tell everyone about your child(ren) or are you selective about it? Has that changed with time?

 

Pale Blue Dot

See the faint dot between the white lines? That's planet earth. And it makes me wonder about my dead baby.

Just before Voyager 1 ended it's primary mission and blasted off towards the outer reaches of the Solar System, it spun around and snapped a photo of earth, some three and a half billion miles away. This photo was taken in 1990 (and the Voyager, incredulously, is still going).


On the one hand, of course, the sheer insignificance of the earth, and our lives, in the grand scheme of the solar system is sobering. There appears to be a bigger story being written, cosmic and infinite in size, and one that will be downright impossible to ever understand. The notion that any of us, with such finite minds and limited understanding, could have anything figured out seems almost foolish. As astronomer Carl Sagan pointed out, “Our posturings, our imagined self-importance, the delusion that we have some privileged position in the universe, are challenged by this point of pale light. Our planet is a lonely speck in the great enveloping cosmic dark.”

From this vantage point of earth, everything about our significance is lost. The pain and joy and suffering and pleasures of our earthly human existence are all invisible. From out here looking in, our spinning earth boils down to life and death. The collective species lives and dies and enters the earth. End of story.

Insert my Margot into this picture of earth and you can barely discern any difference between her and the rest of the species. She lived, she died. She suffered the same fate as everyone else, and from this far away, the difference between her life and her great, great grandmother’s life is a mere blip in time, the same beginning, the same end. There is no tragedy from this vantage point, no suffering, no feeling of loss.

I am insignificant. She is insignificant. But at least we are together, tiny specks on a tiny speck with no Horton looking out for us. And there is some peace in this reality, some science comfort.

The other side of this image, however, reveals what a crazy, far-fetched, inconceivable fucking miracle it is that we even exist at all. The notion that the universe aligned in just the precise way for the species to make their grand entrance on planet earth, and for the species to continue to evolve over the millennia, and to evolve in such a way that our brains allow us the ability to think and feel and experience this little speck on which we live, is damn well breathtaking.

It’s here where I feel the tragedy of Margot June more deeply than ever. Her own miraculous story was cut short, without ever getting to experience this cosmic mystery of life on earth.  

I used to feel so sorry for my family, for our collective broken hearts, for the life we didn’t ask for, for the loneliness of losing a child. For her mother, whose waisted milk came in and dripped aimlessly down her flesh, who carried her for thirty-nine long weeks, who felt this more than anyone; for her sister, who kissed her in utero and spoke of her constantly, who always got this euphoric look in her eye when we described what being a sister meant for her; for myself and the broken dream of raising two girls, holding them both in my arms as we navigated life together.

Now days I mostly just feel sorry for her.


For in this image, I’m reminded of the revelation that she was, and all that was waiting for her on the other side of the womb. I’m heartbroken she missed out on the complexities of life on earth, no matter how insignificant or miraculous our pale blue dot is.

 

How does this image of planet earth make you feel in regards to your missing children? Does it bring peace or despair or a mix of both? Does science play a role in your grief? As the time has dragged on without your children, have you felt more or less sorry for yourselves?

Wild Nights

The Irish, I am told, are fond of sex during wakes. This is very likely one of those gross cultural abstractions, one that bears no resemblance to the real world.

And yet, in those early days, I understood the terrible and fierce appeal of celebrating life and love in the midst of death. I understood carnality.

I wanted my husband in a way that I had never wanted him before Gabriel’s death. I wanted him because I wanted to shake my fist at death. I wanted to proclaim the wonder of life and lust and joy in the midst of such sorrow.  I wanted to get back to what I only enjoyed for a brief period.

I don’t think I have ever told him this.

I was ripe, verdant when I was pregnant. After years of trying to not get pregnant – living life a bit shriveled up, convinced I would be the teenager, the young woman who ruined her life getting pregnant. (If only I had known.) I lived with the baggage of a Christian background, guilt and miasma heaped on me. It isn’t that I never enjoyed sex, but I never fully let go. I may have been married for 7 years, supposedly able to copulate guilt free, but there was no revelry.

At the end of my first trimester, and in a way I had never understood in all my 29 years, I just relaxed. I enjoyed, luxuriated. I loved sex. It was spectacular. My body had finally performed as warranted, and it was my time to revel in this. I told you I felt verdant – but it was more than that. I was full, round, fruit ripened in sunshine.  I was soft and lush - fecund.  I felt not just sexy, but sensual. I loved that word then and I still almost hate it now.

Would it shock you to know I was angry I lost this after Gabriel died? I wasn’t verdant after all. There was no ripeness in me.

I wondered, worried, fretted, freaked - was I forever destined to yearn and dream for that feeling of fullness again – all of that roundness and all of that ripeness – would I never taste it on my lips again, feel my body laid back and splayed out in glory? Maybe 24 weeks, well, 12 weeks of good sex maybe that was it.  And if that was it, if 3 months had been paradise and I was in paradise lost, why on all of this green earth hadn’t we had sex every day? Why hadn’t I rolled around, found satiation every chance I got?

I haven’t really looked back like this – applied the careful thought to sex that I do to grief. I have found the experience remarkable. I have found that the words, the images and the adjectives that spring to mind to be surprising.

 

Continuing the discussion from Jess’ post, as yourself or as anonymous. Use words or images or snippets of poetry. Do you regret? Yearn? Wish? Is there loss in this as well?

One blushing shame, another white despair

We are in a cafe. I blush and stutter. I look through my eyelashes at our neighbours, laughing into their lattes. I murmur, fearing their ears.

We are at my house. I breathe in and unseal my lips in a tiny gesture of anticipation. We are friends, confidantes. You are unshockable in the presence of my grief and rage. But now I am aware of the couch we sit on, the bedrooms above us.

So perhaps it is better that we are in neither of those places. You are there. I am here. This is silent noise. You can adjust your features so that they appear neutral, impenetrable. No one need know that this is what you’re reading. Unless you blush too.

Because here is the thing, the topic, the theme, the issue, the matter at hand. Here is the subject of this post. It’s... it’s... it’s... sex after loss and there is no pretty or dainty or literary way to say it other than that:

Sex after loss.

And what a complicated and difficult subject to address. In grief you yearn. You yearn for a little body, a milky mouth, a tiny foot in the palm of your hand. Is there room for that other yearn, that other want? To need, to desire: they have different meanings now. And now sex becomes about another baby, or not another baby; about bodies that don’t do what they’re supposed to. Bodies mean pain, or sick, or tired. Bodies are small and covered in wires. Bodies are still and cold. Bodies are not the colour of your lover’s skin, but mottled and blue.

Some people are drawn together and some are wrenched apart.

We were wrenched apart, but still we came together. We wanted our baby and so we were naked in our nakedness. And so another baby came. But that is not a given for our kind. There is no guarantee of fertility or of the end result. The end result: the one that seemed so certain to me all those years ago as I stomped up the stairs of the sexual health clinic in second hand army boots, for condoms and pills and other armour.

We are all different. You might believe that my kind of sex neither takes its appropriate form nor serves its appropriate function. You might have stomped up stairs for the same reason I did, or you might find that abominable. You might have loved it, or not. You might have shared it with many people, or with one. It’s political, it’s personal, it’s universal, it’s fucking everywhere. There’s fucking everywhere. In the same way that in those early weeks after Iris died every woman was pregnant, every commercial was for baby paraphernalia, every goddam Facebook status update came with a fuzzy ultrasound photo. Everywhere, everywhere, everywhere, until sex WAS loss and its expression evidence of the distance between us.

I pause and exhale. My hands push in to my eye sockets. I wish we were in that cafe, or at my house, or better still at a bar with an infinite  line of tequila shots and a cute bartender, and I would shout ‘SEX!’ too loudly, and everyone else would blush,  and we would cackle instead of cry.

But instead you are there, and I am here, and now I have to ask: how was it for you?

Has sex changed for you in your grief? Why? How? In what way? Be frank, be euphemistic, be anonymous, be however you want to be, but please tell me.

questions and answers

photo by wakingphotolife.

 

What is Lucy made of, Mama?

 

She is made of people ash with bone.

She is white, almost. Sometimes grey.

She had no knuckles, she was too young, I think. So there are no knuckles bones. So she is the other bones with people ash. That is what her body is made of, daughter.

But the important part of her is made of whispers and prayers and paint fumes on a spring morning, a candle lit to push away the stink of it, and a moment we took advantage of. The wind blows the chimes in the dining room.

She is made of chimes.

She is made of sprouts and nests and small mites writhing in hay. There is a chipmunk who sits on the roof of the garage. I wave to him every morning. She is made out of him.

She is made of wood blocks and printing ink. She is made of porcelain and  papier-mâché. She is made of vine charcoal and 90lb. paper, shredded and waterlogged with seeds embedded in its pulp. She is made of summer and fiddleheads. Yoga and smoothies with berries and almond butter. She is made of long flowing skirts, and a purple dress that made me look like Barney, but feel like a goddess.

She is made of email fights and heartbreak and broken clavicles, too. I try not to talk about that part of her, because I used to believe that the dark parts of her making killed her. Sometimes I think that is what made her live so long. It gave her tenacity. She is made of strength.

She is made of the moon. Further, she is the moon. Hanging effortlessly over our nights, disappearing gradually day by day, and then appearing again, brighter and closer than ever. She is also made of winter solstice. She is made of icicles and darkness and sad songs about sunshine and being taken away

She is made of atoms and stardust and self-sacrifice. She is made of nothing, but everything.

 

How old is Lucy now, Mama?

 

She is as old as the trees, my love. Her roots are so far into the earth, they are lava and rock. She is the Anasazi. She is the crone. She is the baby whose bough is breaking. She is as old as the canyons and young as the idea. She is a moss-covered age, one with ferns at her base. She is sixteen and driving erratically. She is eighty and hunched over in secret lives never lived.

She is three and two months old. Younger than you, but also ancient, like the gods, and at the same time, she is always newborn.

 

What happens when we die, Mama?

 

Our skin grows cold and turns ashen. Our body becomes stiff. The skin around the fingernails recede making every fingernail longer. The skin hides away and reveals something animal about our humanity. The meaning of life is gone then. The carnal meaning, I mean. The impulse for more is gone. We are just skin and bone. We are carbon, filtering into earth. It nourishes something lovely, we like to think. That also is transitory. The spark leaves our eyes and enters other people's hearts and burns brightly. So brightly it feels like fear. I want to tell you that our body is a shell, as cumbersome and heavy as a turtle. We figured out how to carry it, but it is not comfortable. The part that rots and makes a home for other creatures of the dark, that part is not us. It is something else. It is soil. It is life in its death. We do not have a soul, baby. We are a soul and have a body. I read that once. I believe that.

But what happens to our soul, baby, is not my privilege to know. I just sense that we become part of every person and everything, like a raindrop falling into the ocean. Can we separate the raindrop again? Never, but we still are water.

What do you think happens when we die, baby?

 

I think we go into trees, Mama. That is why it is very important to hug trees.

 

+++

 

What round about answers are you giving these days? What kind of questions do you get asked, either by children or adults, that stump you? How do you answer them? What kind of questions do you ask? Are your answers concrete or esoteric? Have your answers changed over time?

or alternatively, you can just tell me what your child is made of...

Silas' Symbols

The hawk is stationary above the highway.  The mundane light post is transformed into a majestic perch with the beaked, mottled, patient bird gripping the metal with its talons.  It is looking for prey, but it feels like it was waiting for us.

We always point them out to one another on our drives, and not a word has to be spoken.  Silas, we both think.  Silas there somehow in the penetrating gaze of the bird, even though we don't really believe that, not in any direct, concrete way.  It's not his reborn spirit in there.  It's not his soul transformed into a hawk.  

Instead, it is a living, breathing symbol that we can hang our grief on.  Silent, alien, unknowable, beautiful and free, the creature is a perfect specimen of raw nature and it represents so much of what we don't have from Silas, and so much of what we wanted him to be.

Three hawks today.  Yesterday I saw one plummet from the sky to the median between the north and soundbound lanes and then leap into the sky with some squirming fur in its grasp.  The hawks are reminders of his life in a safe and abstracted way.  

After all, it is hard to remember someone you never got to know.  

We remember him as an absence, as a lack, and the hawk serves as a placeholder for everything we still don't understand about why Silas is not here with us today.

At night when the hawks sleep Orion captures my vision instead.  Pinpricks of light billions of lightyears away arranged just so, and they pierce me with their interstellar light every time. We chose that name for him, selected that specific connection, and it ensures that every single night that our planet faces that part of the sky I see him and think of him and hold him close in my heart.

Closer yet, though, is the ink in my arm.  It is a tree of life darkened with death and sprinkled with the stars of his constellation, surrounded by a ring of "S"s.  And it's funny/not-funny how much an "S" looks like a broken infinity symbol.  

Silas is gone forever, but I still find him every day in pieces of my life.  In the hawk above, in the blazing stars of the Universe beyond, in the very fabric of my skin.  I will never stop missing him, even when happy, even when feeling good and right.  

His name is engraved on the inside of our wedding rings, just like it is etched on the deepest walls of our hearts.  The symbols help us remember him as we hoped he would be, but the pain ensures we will never forget the child we do not get to hold in our arms.

What are the symbols you connect to your lost child or children?  Did you create the connection or did some outside force cause you to recognize it?  Do those symbols and reminders bring you peace or pain? Have the symbols changed over time?