Coming Back to You

I looked for you in everyone / And they called me on that too
I lived alone but I was only / Coming back to you

I remember him. He is with me – a mostly weightless load now. He reminds me of what was going to be and what wasn’t. He is the future I thought I would have, the person I thought I would be. Now we are two separate galaxies, orbiting each other. We move in synchronous orbit most of the time, aware of each other and living our separate lives. A few times a year we meet in near orbit. Never quite touching, but the could have been becomes close enough to what is, causing an almost singularity. Sometimes the crash is soothing – I feel him more closely. Sometimes, like all space events, the result is dust and light and heat and brokenness.

The orbits have fixed points: times in the year when we come close to each other and I plan for them: readily watching for a galaxy I can visualize with a naked eye. Other times I stare in the sky looking and unable to see him. I shrug my shoulders and decide that he must be at apogee orbit – the furthest away from me he can be, travelling slowly.

And the fields they're under lock and key /Tho' the rain and the sun come through
And springtime starts but then it stops /In the name of something new
And all the senses rise against this /Coming back to you

I am a woman at an offsite meeting, with pumps and pearls and we are standing outside the board room on a break. We are chatting, these new colleagues of mine and I. I don’t know how the topic turned to midwives. On our team, one of the guys is married to a midwife and one is the son of a midwife. That’s about the only explanation I have about why we should be a team of analysts, talking about childbirth.

In those uncertain days after Gabriel’s death, I talked about him. I talked about him to everyone. Objects in orbit move slowly at apogee – at perigee, where they are close to us, they speed up. I knew those moments would be quick and I thought the force of remembrance and words could slow the orbit down – keeping him closer to me for longer. I know now that there is nothing that can act against the force of geosynchronous orbit. He must needs move away, hitting apogee so that he can come back to perigee.

I did not tell them it was me when I talked about high risk pregnancies. I did not tell them about my son, I did not tell them about the stroke, about almost dying. I did not tell them of the small bouquet of flowers at a funeral 4 days before Christmas, from mummy and daddy. I did not tell them about being alive when you most want to be dead. I referred to another woman. I hid who I was.

Even in your arms I know / I'll never get it right
Even when you bend to give me / Comfort in the night
I've got to have your word on this / Or none of it is true
And all I've said was just instead of / Coming back to you

At this point – this point of far-ness in orbit, he is not there for anyone to see. He is a fleck against a pitch black sky; far away and moving slowly through the cold. I cannot explain to someone who is not accustomed to looking. I cannot move their eyes, talking in arc seconds to describe his path. I cannot say, I think he’s out past the Kuiper Belt, in amidst the asteroids just past Pluto. You can’t see him, but he’s there and he will come back to me.

I am the woman before you, in her pearls and black suit. I am the woman talking about risk and cost-benefit analysis, with a black berry on her hip. I am exactly as you see. I am a childless woman. When we are far apart I am nothing more than what you see.

It’s just this: sometimes you might see me turn towards the stars. I look at the sky, turning my face to the darkness. He is far away at that moment, too far to see with naked eye. It’s ok. He is coming back to me.

Do you find you ever feel like you are 2 separate people? Do you ever hide your child, or at least choose the times you talk about your baby? Do you map your journey through the year almost as an orbit? And do you find that you are more easily able to let your child go, knowing that they will come back to you in certain times and places?

(Lyrics from Leonard Cohen’s beautiful song “Coming Back to You.” There are many versions of this song, from Jennifer Warren’s album Famous Blue Raincoat to Leonard himself. The most beautiful version I have heard and indeed the one that inspired this post is performed by a Canadian Band called The Once.)

The midwife wonder'd and the women cried...

Good Afternoon.

My name is Jess and I'm here to talk to you today about my experience of Stillbirth.

Before I begin, can I ask you all to stand up. Please stay standing if you have given birth, or witnessed the birth of your own child... Thank you... OK, now stay standing if you've given birth more than once? More than twice? May I ask how many children you have? How old are they? Wow! You have three children and you're studying full time to be a midwife! You're incredible!

OK, can you all stand up again. Stay standing if, as a Student Midwife, you've delivered more than 10 babies. More than 20? More than 30? WOW! How many have you delivered? 40-ish?! 44??!! How about you? About 40 too? Amazing! OK, please sit down.

I ask you these questions because I want you to understand where I fit in to all of this. I am not an expert on birth. I have been present at three births, and at all three I was the one doing the pushing. Of those three babies, one of them was stillborn. I am not an expert on stillbirth either. I don't know any statistics. I can't make professional recommendations. I don't have any official resources for you. What I represent is an opportunity... I stand here as a woman who has given birth to a dead baby and I am going to tell you my story, and her story, and then you can ask me questions. You can ask me anything, really and truly you can ask me anything. I promise - hey, listen! I'm brave! I can say vagina and everything! 

OK with that let's begin. On 15th May 2008 I gave birth to my second daughter, Iris. She died during early labour the previous day...

Photo by kevinwchu

The secret places of my heart are often visited by strangers.

I write them out in my best words and awkwardly proffer them to people from Missouri and Norfolk and South Australia.

I say them aloud. I turn my womb inside-out and speak its fleshiness.

Mutter, mutter. I conjure her. I create her. She appears, shimmering, then vanishes again into silence. 

She is an agreement between me and you.

She existed, didn't she?

Yes, yes, that's right, she did.

Don't put your daughter on the stage, Mrs Worthington.

I defy Noel Coward.

She shall have a stage. She shall have the biggest platform I can find for her. 

All babies are teachers, but the dead ones have the best lessons.

Have you ever shared your story with a group of strangers, like the student midwives I spoke to last Friday? How was the experience for you? What do wish you they knew about delivering a baby that has died, or is likely to die? Do you have an answer to the question I've asked before, and I asked of them again: Is it possible to have a good birth, when the outcome is a dead baby?

geography

"psychogeography - the study of the precise laws and specific effects of the geographical environment, consciously organized or not, on the emotions and behaviour of individuals." 

Guy DeBord

“No matter whether one is flying over Newfoundland or the sea of lights that stretches from Boston to Philadelphia after nightfall, over the Arabian deserts which gleam like mother-of-pearl, over the Ruhr or the city of Frankfurt, it is as though there were no people, only the things they have made and in which they are hiding.”

W.G. Sebald - The Rings of Saturn

My daughter was born in our local hospital, about ten minutes walk away from my own front door. She did not die there. She died in another hospital, in a different town, about fifty miles away. 

The first hospital is so physically close, so much a part of my life, that I have started to tune its presence out. I used to walk past and feel the air dense, a haze of hopes and fears emanating from the coarse render, as though my daughters and I were replicated in every room on every floor. Now it hardly registers, a grey rectangle squatting on the horizon. The memory of my daughters' births overlaid now with a dulling patina of time.

It is the second hospital that haunts my thoughts, the one where Georgina died. It is an old building, a former work house and then an asylum. A strange, twisty place, full of echoing halls and outmoded gadgets. 

My haunting started early, even before my daughter died. In the windowless NICU parents' kitchen, amidst the labelled pots of yoghurts and stained coffee cups, I phoned my friend to tell her what had happened. I suddenly felt myself whizz up to the ceiling and then higher still, saw from above my distress call emanating from the gizzards of the building, a flickering patch of bioluminescence amidst stone and cement, a synapse firing helplessly in an uncaring nervous system of concrete and discoloured gloss paint. Tap tap tapping. And I knew that this place was one which would not leave my mind easily.  

The room in which my daughter lived was a small one, a side ward with a blue linoleum floor. There were four bays, the twins were in the two spots closest to the door, Georgina to the left hand side as you entered the room. This place where my first born spent the majority of her life, where she took her final breath. A room I subsequently spent a great deal of time in. I failed to recognise the incubator in which she had lived when it came around again, or to locate the room where she finally died, where her heart stopped beating. My husband knew them, the incubator he pointed out, the room he would not, but they had already left my memory. This made me feel as though I had betrayed her, that I could not find these two small spots of contact between my daughter and the earth that remained behind her. 

Image taken from the Norman B. Leventhal Map Center at the BPL

I should like to go back into that room and stand there, now that it is empty of people, at nighttime perhaps? I don't know what it is that occupies that space now. An office? A different type of ward with larger occupants? I know that it is no longer a neonatal intensive care unit. That time has passed. The NICU is now located in another hospital on the other side of the town. I don't know what it is that I hope to find there, in that stillness, in the depth of the night. I always had a creeping sensation that there was something happening in the NICU, something hidden away behind the scenes. Because the plastic boxes and alarms surely couldn't be real. Too terrible and strange, surely a facade or a trick. Perhaps I hope that she is still hidden in the walls somewhere. Or maybe I am looking for pieces of her? Or shards of myself? Those that flew away with such force that pieces might still be embedded in the walls, those that crumbled away gently to such a fine dust that they could never be reconstituted, those I ripped out with my fingernails and cast away with a shudder of revulsion. Look, there's the part of me that cared when your boyfriend dumped you. That small pile of fluff in the corner, there's my certainty that everything will, in the end, be ok. That small translucent snippet of cellophane, a discard from some piece of medical equipment, the part of me that looked around eagerly for help, turned to higher powers for assistance and aid. 

There is only one other place where I can feel her so close at hand. Rather unromantically, it is the final toilet stall at my place of work, the one that adjoins the cleaning cupboard. In my dreams, the two places combine, to form a strange lurching amalgam of places where I might find some left behind pieces of my daughter. I turn away from her incubator to find myself in the toilet cubicle, although in reality these two places are miles apart.

I used to kneel there, by that toilet, clutching at the bowl, nausea roiling through my stomach. After she'd died, I walked back into the small, smelly cubicle for the first time in over a year and sunk to my knees again. I suddenly felt solitary and alone although it had been a long time since I had been a being in triplicate. I balled myself up amongst the cleaning supplies, laid my cheek down on the industrial size packet of toilet rolls and ached for her. "She was here," I murmured. "She was just here." And as I lay there, I momentarily felt that I could reach out, grab the empty air and twist it through ninety degrees, to send her hurtling away from her death and back to me. But, sadly, that proved to be just an illusion, although it is testament to my own desperation and craziness that I tried it. I had to check that it wouldn't work. 

 Are there any places that remind you of your baby or babies? Or where you feel a particular connection to them? How would you, or do you, feel about re-visiting these locations? Do you feel that you are looking for something?

Un-seasonal

It was sunny and warm here the last couple of days, and is supposed to be again come weekend. Tomorrow it's supposed to rain cats and dogs. And a week and a half ago we had snow. It was wet and clumpy, and there was enough of it to break things. Not near us, but close enough to affect friends. And it wasn't even the first snowfall of the season. That's how crazy the season has been. As I drive around, the trees are in a spectacular rich fall palette-- whole streets under canopies of gold, houses framed in the very colors of fall. There's a tree that glows red in the fall on one corner of my drive to Monkey's school. Every year that tree catches me off guard. Every year I keep meaning to come back with the camera.

It's warm, for now. It's gorgeous, really. But when I step outside I can't quite believe it. It's like the snowstorm tripped the binary switch somewhere in me, and now I know it's coming.  My season of (more) longing and (more) missing and (more) sadness. You know what else? Even without the snowstorm, how could I escape-- there's a frigging Santa figure, like nearly life-sized, parked in the isle of my local pharmacy.

I remember so vividly that four years ago, in my first fall of bereavement, the first snowflakes made me want to holler. They fell, tiny and fragile, melting almost on contact. The snow was here again, the planet being nearly through its yearly orbit. What I saw, or heard, or maybe felt in the first snow of that season was that time passes only for the living. That simple, cold truth got me that day. I am feeling nudged by it again. On the mornings when I have to defrost my windshield before I can start driving and on the mornings when I wear hiking sandals. It may be warm out, but I know it's temporary.

With the holidays (and snow) encroaching, I wanted to do this thing we haven't done in a while-- ask you how things are for you. So pull up a chair and make yourself comfortable, or as comfortable as it gets these days. Grab a mug of tea or a glass of wine and tell us: How are you?  

Signs

The conversation happened on an average evening. I wasn’t feeling any which way in particular, wasn’t expecting anything out of the ordinary. It was just a day, in the middle of another long week, towards the end of a complicated year.

I was taking my time wandering around the multiple level Whole Foods, rolling the cart as slowly as I wanted, perusing aisles that I had never entered, enjoying the temporary taste of aloneness that usually doesn’t exist under these conditions. Normally I’m running between wine racks and around food displays, chasing my two year old, who genuinely believes Whole Foods was created for hide and go seek. A simple visit for shampoo and milk can sometimes take more than an hour with her cheeky company. But not tonight.

As the clock ticks towards closing time, I wheel my cart in the direction of the check out lane to pay for my evening of solitary indulgence. An older woman greets me kindly.

Hello, she says.

Hi.

And that was that, as the story goes.

And then this kid appears. This teenager, with scrappy hair and pale skin, just shows up out of nowhere to bag my groceries. He’s wearing a plaid shirt, baggy jeans and a sincere smile. He looks relaxed and eager almost simultaneously. And he smells like the middle class.

Hey man, he asks with measured enthusiasm. How’s it going?

I have learned how to dismiss these conversations with relative ease over the months since my baby died. In the beginning, when the dizzying shock was all there was, I’m not even sure I heard these kind of questions. I can hardly remember a single conversation with anyone in those first few weeks and months, let alone one with a complete stranger in a check out line. But as the months marched on, this kind of common social courtesy began ringing in my ear like a clanging drum. A friendly and casual how’s it going? from a stranger became a jovial sucker punch: HOW’S IT GOING!?!? ARE YOU HAVING AN AWESOME DAY!?!? I wanted to choke on the nicety. So I learned to ignore, or to respond with a muttered answer, or to simply avoid any situation where this kind of question might surface.

But tonight this sprightly chump has me, before I can even think one way or another. I just answer.

I’m good. How are you?

Pretty good man, he says, pretty good.

You’re putting a lot of items to the side, I note with a smile, remembering my own days in the bagging trenches. You trying to get them all in one bag?

Yes, he replies with an innocent grin.

I know that game. My first long term job was bagging groceries. I spent two years of my life playing tetris with food items, trying to find the perfect fit for each paper bag.

Yeah, he says through a chuckle. Cold stuff goes together, fragile stuff on top.

Exactly. The plastic bag people weren’t any fun though. You can’t organize anything in those bags. I guess you don’t have that problem here, eh? I’m surprised you guys even allow paper bags.

He laughs nervously and the checkout woman flashes me a smile, as if we’ve shared a little dig on her company. And there I am, laughing right along with them, like I enjoy these silly little chats.

And then with a hint of pride, as if he’s showing a veteran his immense talent, he hands me one individual paper bag, filled perfectly to the top with my produce and toothpaste and chips and everything else.

The magazine is down the side, he says with eyebrows raised, not wanting me to miss this little packing gem.

Nice one! I add excitedly.


It wasn’t until I walked out to my car that I even realized what had just taken place. Who was that in there, I thought to myself in a state of perplexity. Having conversations, laughing, using exclamation points - was that me? Did I really just say, nice one!? As I recalled the brief interchange, I could hardly believe it was real, as if I was watching someone else going through the motions of every day people.

I’ll tell you something though. The interaction felt like a minor fucking miracle. A brief sign that maybe this grief, which sometimes feels like a two-thousand pound bear sitting on my chest, is evolving, even in the slightest of ways. Because it’s not as if I forgot my baby was still dead in that moment. It’s not like I magically returned to my former self before my daughter died. She was there. My grief was there. As they always are, tucked and folded in to my very fabric. The truth is, we were all there together, having a pointless conversation about groceries. And it felt pretty okay.



How has your grief evolved over the months and years? Were there any signs that tipped you off to this evolution?