felled

The most extraordinary life grows out of dead trees.

 

photo by reassaure. 

Ferns and orchids. Lichen and fungi the color of absurdist paintings. Small toads find refuge under the decay. The forest bed swallows death into a loamy mound of old and new growth. A birch bark lies just beyond. It tells the tale of circles, births and deaths, the years unfurl. I hold it up, that shell of stability, the center falls out like rich soil. I whisper my story to the bark scroll. These words, masquerading as scratches on its old skin, appear on its shell.

My daughter died. I wrote the story out long after it served any usefulness. I wrote about how the grief was gone. No one read about my not-grief anymore. It didn't hurt to have people turn away. I would have turned away in my early months, but I kept writing through it. I would let go of the grief, and then pick it up again. Because since she died, it has always been about her death. Maybe before her death, it was about her death.

There were others who came before me, who reached back. A simple gesture, but monumental, I see now. They revisited their grief while abiding mine. They kept silent and listened to my story and so I did the same, until reaching back no longer served any one. My hands are empty now as my story unfurls. There is new life here. And my story must become part of the fertilizer of others.

I wrote longer than I should have. The reaching was for me, pulling my unforgiveness along, leaving bits of it on the forest to become something beautiful. For when I listened to the other stories, I became more forgiving of my own story, of my own culpability. I didn't kill her, yet I have spent nearly five years forgiving myself for her death. Only you understand that.

Nothing. Nothing can ever make Lucia's death okay. And nothing, not one thing, can ever bring her back. A paradox that no longer confounds me.

Grief is as changeable as the forest. You never trek in the same woods twice. And grief is the same. You never write about the same grief twice. There is awe and emptiness and a void of her that is unique and different in every moment. Yet what I write sounds the same, over and over, because I began looking back at my grief, rather than writing of the present grief. The present grief became the fabric of the forest, the greens in everything. It is still there, the grief, that is. It is my mistake to say that it is gone. It is just different. It is a gratitude, and a comfortability in this life, despite her death. In the early years, the writing became a way to not feel grief. I could explicate a sentence, diagram it, break it down. The words meant nothing but grammatical math. I felt something, but did not, or rather, could not feel the true weight of her absence. I made it pretty, wrote moss around it, wove nature into the story, but make no mistake, it was still daughter-death. Ashes and dead babies. Sterile hospital rooms and calls to funeral homes. Sisters never played with. Babies never cooed after. Three broken people trying to remake a family. Over and over again.

But then it would catch up with me, and I would feel that grief with the weight of a redwood, leaning on my back. 

When a woman grieves alone in the forest, does she make a sound?

I made it a point to be heard when I was felled. I started forest fires, and shot off shitty emails and wrote angry blog posts indicted everyone for my solitary grief. I entangled the hearing with the reaching. My heart burst open, broken, bleeding, raw. And I keened. 

THIS TERRIBLE, HORRIBLE THING HAPPENED TO MY FAMILY!

I screamed it. I would not be silenced so others could feel better about dead babies and grieving women and communities of people who spring up in the dark corners of the internet grieving their children that never lived. I would not be shamed because I painted it, or felt sad about never knowing my daughter, or wore my heart on my sleeve, or for starting a literary arts journal around the art of grief. Maybe all that happened for way too long, but it happened just the way it needed to happen. 

Today, my grief is grown over. The Now of Angie exists, absent of raw grief and anger, simply because I wrote about it and cried in public and arted and complained and felt sorry for myself and felt gratitude and made people uncomfortable and only talked to grieving people for a while and lived moment to moment and created rituals around my grief and made thousands of mistakes. It happened because I grieved out loud, in front of God and everyone. When I fell in the forest, I made a sound. It was a terrible, beautiful, righteous sound only the bereaved understand.

I am walking away from the writing about Lucia's death, not because I couldn't keep writing or because I no longer grieve, but because my writing serves no one anymore. Least of all me. Felled by her death, the forest floor crept over me. Overtook me. And small writhing insects made a home in me, something flew away from the forest floor, others stayed. New life grew in me, out of her DNA which still lives in me.

She is dead. We are alive. This is the great noble truth of our family.

With immense gratitude, I share my last post with the Glow community. Thank you for abiding with me on this grief journey through the last almost five years, for loving me when I could not love myself, and for sharing your stories and babies with me. Through the next few months, I will be transitioning out of the role as editor as well. I am passing the reigns to Burning Eye. Her creative fire and inspiring words will carry this space for new parents walking this dark road, and as always, Merry will continue guiding the discussion boards with aplomb and compassion. Together, I know they will continue to stoke the fires of Glow in the Woods' warm welcoming circle of parents.

Tell me, then, about your grief. How have you been making noises about your grief? Are you feeling heard? Are any parts of your grief are grown over? And what still flourishes?

All the living people have their own hearts

All the living people have their own hearts

Functional hearts that beat and slosh their blood through brain and vein

Angry hearts betrayed, broken, wreaking havoc, taking names

Troubled hearts pounding for the pain of strangers

Retentive hearts for memories of rain and safety

Faithful hearts given away with the promise of eternity

Treacherous hearts twisting burning too soon turning

Playful hearts that invert an empty eggshell in its cup and invite their mother to tap it with a spoon

Wistful hearts trembling for midnight and the moon.

My other children grow and speak in different voices

With words I didn’t teach them

And explore their complex hearts

But my daughter’s heart with all its potential for infinite variety

Stilled in my womb and never had expression

And that became my lesson

To live another’s heart and cells and memory

To write her death in all its vile potency

To understand that I’m her only legacy

And there could never be enough

Money to honour her

Voices to speak of her

Or babies to save for her

The world in its entirety could not satisfy her loss

It rests with me to somehow be worthy of her precious heart

And so I end and start

This is my last post for Glow. I often think of my writing as part of Iris' legacy. How do you feel about creating a legacy for your baby or babies? Do you do something "in their name"? What does that mean to you? 

quietly forward

I don't want to share her anymore.

Initials traced on sidewalks, birth date carved into wood.

MARGOT WAS HERE, inked on my forehead.

Dropping her name like rain, sprinkled over the city, in grocery stores and preschool and dinners with acquaintances.

Neighbors. Bartender. Old friends.

I have another daughter, I'd lament, with downward eyes, searching for a remedy.

It was like this in the beginning. Shouting, screaming, knees in the mud, heart on my sleeve, anything to feel some sort of connection to her.

For months and a year and more months, I wore her story around me like a cloak, heavy and tattered from the daily grind, dark material, drenched in sadness and anxiety. I didn't care how messy it all appeared. There was no choice to put on the cloak, or to share her, to sprinkle her around the city. Grief doesn't give you a choice. I woke up to life without her every day and that reality felt like all there was.

Somewhere along the ticker I’ve gone quiet. The pulse of my sorrow still beats, steadily, methodically, but sharing her so freely feels uncomfortable now, like it’s a violation of our intimacy.  

Shhhhhhh Daddy, I imagine her whispering, they don't need to know.

Suddenly I’m overcome with this urge for privacy, for things left unsaid, for the cloak to whither and fall, for the sidewalks to wash away, for the wood to rot. I want her all to myself. I want the ways she has changed me to be something that I alone know the extent of. I want my thoughts about her kept only for us, sacred secrets between a father and daughter. I want her ashes, the rocks from her river, the remnants from her brief existence to be tucked away, hidden from bystanders, hallowed ground reserved only for a few.

It’s now in the quiet where I find closeness with her, in the whisper of her name, in the privacy of my own thoughts, in the ways in which she has changed me.

Do you ever feel quiet? Do you feel like not sharing your children so much? If so, what brought that on for you? I wonder if some of you might feel somewhat off by the idea of being quiet, of not sharing your chlldren so freely?

 

Scars of the Heart

Take my heart out and you will see the scar.  From top to bottom, jagged across the middle, the scar is still raw and pink.

But against all odds, my heart is nearly whole.  Lu and I took the time to stitch the other's back together with words and love and patience and time.

Pass by pass, stitch by stitch she sealed and healed my rendered soul, my tattered heart, and helped me learn how to walk and speak and think again.

I thought I was going to die in the days after he did.  I thought we would be demolished by the unfathomable grief and lacerating sadness.

Yet somehow, now, eight years out from the day I married Lu, I can somehow still think that I am lucky to have her in my life.  Lucky that we have our amazing son Zephyr.  Lucky that we found a way to rediscover laughter, to allow light to re-enter our darkened world.  We are lucky to be together despite our terrible loss.

I married her because she was beautiful and sweet, patient and spontaneous, because she was steadfast, honest, brilliant and true.  What I didn't know then is that she was one of the strongest and most determined people I would ever know.  Her strength of will and incredible outlook on life were absolutely pivotal in our ability to stay together and stay in love when everything around us shattered and disintegrated on the day he died.

She healed my heart with her gorgeous, liquid eyes, and I held her tight through terrible days when not one single thing in the world made a speck of sense.

But the scar remains and always will, and if you look closely enough you will see that it is only nearly whole.  There is still and always a space, a void, an endless abyss in the shape of my son Silas.  It looks minuscule from a distance, but don't be fooled.

That fleck of darkness on the surface of my pulsing heart expands wider and wider the closer you get until the obsidian midnight rift is all-encompassing, swallowing the field of vision until we pass within, into the endless shadow of my limitless grief.

I don't want that hole closed.

I don't want to give away the pain of his absence.

I don't want to ever be so healed that I cannot feel him in me, in us, in our sense of the world.

When Silas died I had no idea what it was like to have a son.  I was hurled into a shadow world of counter-factuals, of impossible ignorance.  I thought Silas was going to teach me how to be a dad, but instead I learned how to grieve and not die from it.  With Zephyr so vivid and alive right before my very eyes, everything I was denied is being revealed, but the weight of losing Silas makes me ballistic with fear sometimes.  I panic at the slightest thought of anything happening to Zephyr, ever, for any reason at all.  Yet just as I refused to let grief define and destroy me, so too do I deny the power of fear to stop me from reveling in Zeph's every breath.

Lu is an amazing mom, and I am thrilled to share this life with her.  I cannot believe to this day that I can feel this good, after so many years of terrible sadness.  The strangest part, though, is how that still-present sadness mixes with the happiness I feel when I spend the day with Zeph, or watch him curled up and nursing in Lu's lap, or hearing him shouting "Dada!" when I get home from work.

The echo of his shout is the silence from Silas and the  knowing look in Lu's eyes.  She hears what I don't either.

I love them all fiercely, the two here with me, and the one we can only share in our sewn-up and scarred hearts.  This is our family and it will always be so: drenched in light and love and happiness and shadowed by our loss that we can never fully comprehend.

~~~~~~~~~~~

What do your metaphysical scars look and feel like?  How have you and your partner navigated the treacherous landscape of your life together after losing your child or children?  How do your living children affect the memory of what you have lost?

Holding On

KING PHILIP

You are as fond of grief as of your child.

CONSTANCE

Grief fills the room up of my absent child,
Lies in his bed, walks up and down with me,
Puts on his pretty looks, repeats his words,
Remembers me of all his gracious parts,
Stuffs out his vacant garments with his form;
Then, have I reason to be fond of grief?

King John III.iv, William Shakespeare

I love the thought of ghosts and lingering souls

Spirits present, dark shadows with intent

I don’t fear eerie noises or the cold

Air shivering in our ancient vents.

And as I want my living children to

 Fulfil their full potential so I wish

For silent Iris to turn poltergiest

Possess my house and lightbulb filaments

Or leave me gothic portents where she can

Prevent calamity or incident.

More than only ash at least, more than

Dust and tears for my lost innocent.

I still hold on despite advice and proof,

Can one let go of nothing? Empty air,

Would she drift off to haunt another womb

If I moved on and left her memory there?

I’m ever fondly constant in my grief,

It must go on, it must go on for her,

There is an odd betrayal in relief,

That loyal in my love I shall abjure. 

How do you feel about the possibility of "moving on"? Do you want to?