glimpses

Today's post is the first from a new contributor to the Glow in the Woods family: Jen of There's a New Monarchy in Town.

Jen is a transplanted Canadian living in London, England, and a first-time mama in the first raw months of life without her daughter Sadie. She came on board as the 7th full-time medusa after writing to us to say 'thanks for being here', and 'I've completely lost my writing mojo' ...at which point we ambushed her to join our motley crew.

Please join us in giving Jen a glowing welcome--we're grateful to have her voice in our midst, and we hope you are, too.


I look back at photos from our four days in Vienna last month. Austria is damn nice, yes. And who knew it was so good at wine making? I loved the cathedral concert at dusk: Mozart and More. The end note of each song hanging in the air like it was up for grabs.

I like the tucked-away bar we stumble onto. The music is good here. The ceilings low, arched, stone. Peanut shells on the floor, wine savvy staff. We decide to sample the local stuff only.

Let’s have another.

.::.

We sit in a tiny room on tiny pastel sofas surrounded by four tiny white walls. Three, if you consider the one behind me is all windows. The view is the Thames and Big Ben. If you were in a restaurant you’d be pleased. Here, it’s nothing short of stifling. If you were me, across from the specialist who took care of her in those last hours, you’d want to scream back. He takes off his glasses to look at me squarely, Australian accent thick, and I wonder if he barely remembers. His words are clinical. I’ll bet the farm his own babies are alive and well.

“I don’t care if you believe it would have happened anyway. I would have taken however many more hours or days or weeks we’d have had with her if that nurse hadn’t moved her.”

It’s what I want to say.

Instead, I rock, shuddering through my sobs, conscious of the three sets of eyes fixed on me as I struggle to recover. I yank two, three more tissues from the box beside me angrily. I stay silent. I feel weak and my voice has forgotten how to work.

.::.

I am comfortable enough now that my confidence has grown as steadily as my indignation. I am here to work. Why are you looking at Facebook? Why are you complaining about someone else before you’ve even proven yourself? Why can’t someone give me the answer?

I smile. I put in 11 hour days on occasion. I think about the possibilities. I dream of what I was meant to be doing.

.::.

She would have been six months old on August 20th. I tried in vain to not imagine what she’d look like, what milestones she would have reached. I am okay, then I’m not, and then I am again. Okay being a different, different place these days. Grief, like an unwanted tagalong, saunters alongside me daily. She is vindictive in the way she chooses the most inopportune times to surface. I thought Sorrow was only a word used in love poems that include, ‘hither’ and ‘unrequited’.

Not so much.

If you have ever wanted to see what damaged goods look like, look no further.

.::.

We have been sitting in the garden for five hours or more, and the table is now a sea of glass, empty and full. I look from my brother to my friends and back to my husband. I laugh heartily and often, and realize in the back of my mind that this is where hope lies: among family and friends, new and old. I am grateful and then in the next breath I am homesick.

I am the luckiest unlucky girl.

.::.

While I took the four hour round trip to Luton and back to reclaim my passport, he went to our favourite place. Waited for me, had a beer in the pub that was once a jail. He is proud and a bit secretive of the contents of his shopping bag. I am always in awe at how much this process pleases him.

Later, he serves a stunning plate of monkfish wrapped in bacon. I fold my pajama’d legs under me and tuck in. Tastes like lobster. Baby squash, peppers, asparagus sauteed next to the sweetest new baby potatoes I’ve ever tasted. I wonder if there are two people in the room who have missed their calling. He raises his glass.

‘Cheers. To the future, whatever it may hold.'

.::.

Fleeting moments of "happiness" continue to catch me off guard. Do you remember the first time you laughed, or felt hope for the future, after your child's death? Did you feel guilty for allowing yourself to do so?


reason

There is this forest road some forty minutes away from our cabin. The first time we drove it to check out the sights, it was a few months after our baby died. Sensing how we all need the solace and silence of nature, my husband R packed us all into the car for a drive. The views astounded us. The silence, and the liveliness of it all. And, to see large fields of ferns, growing amongst soldiers of trees, was simply an unforgettable sight, for us used to the gray and brown and small foliage of the desert.

Recently, we took the drive again. I wanted to show you some pictures, but none portrayed the grandness and nonchalance of the place. It is rugged, yet regal. Very quiet. So still, yet brimming over with life (and decay, of course). The forest road runs at a high altitude, so there are several points where you stop and look out over massive areas densely crowded with trees, across mesas and often eye-to-eye with the clouds. You feel you stand almost at the top of the world, centuries-old rocks supporting you. The ground beneath feels solid, after centuries of movement. It feels strong, after it learned to move with the currents of time and forces of nature. Sweet little colorful flowers bloom here and there to contrast with the earth-old trees and rocks.

Here, along the road, amongst the ancient and the transient, I could feel Ferdinand's spirit very intimately. I knew that I am surrounded by the wholeness of his spirit, even his body. I felt then that he was not lost somewhere, or forever, but here, in the present, at one with the nature and the universe, breathing with me everywhere I go. And here, for an instant, I felt that a reason did not matter anymore.

:::::::::::::::::::

For a long time after he died, I wanted a reason. Desperately. Holding the one page pathological report in my hands, I googled furiously for answers. Those laconic yet loaded terms, within them must be encoded the answer to the mystery of his death.

But I did not find any answers. Not at all.

I searched my brains for things I did and did not do through the 40 weeks that I carried him, and tried to find a reason. Why? Because I felt it would give me some control. If it is because I ate shrimps, then, the next time I shall not touch a shrimp and all shall be fine.

Except I know that is wishful thinking. If only it could be that easy, to have that reassurance. Something else could of course happen.

A reason was so important, so I could hold someone (that is, me) or something, accountable. So I can be on the other side, in control and be all-knowing.

Slowly, gradually, I know that an answer, or a reason, may well just serve as a blind. Just something to give me a false sense of control. Just something to give me the illusion that I know the answer to questions that never shall have answers.

So, sometimes, I feel, there is no need for an answer. Because then there is no false perception of being in control. Then there is no illusion that I hold the key to a door that I can open for others. Sometimes, when immersed in the quiet prowess of nature, I feel that no reason is necessary, only love.

But, only sometimes.

Do you seek a reason? How? Why? If you found a reason, did it help?


A wave of surrender

Today we feature a guest post by Dr. Joanne Cacciatore.  Her is a familiar name to many-  she is the founder and CEO of  the MISS Foundation and is  a foremost advocate for Stillbirth Policy. And as she writes on her blog, she is a mother of five children- "four who walk and one who soars." This post is a gift through her beloved Cheyenne that she gives to us. These are words that we need to hear, touch, and read. And perhaps ponder over, ruminate and whisper to ourselves. These words we need to hear, from a fellow bereaved, who have traveled further ahead of the road, and who beckon us with a warm glow of light.

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art of healing

everybody's doing it.

it's in, it's fun, it's great for teaching social media or sizing up a site. but until i saw Mad's stark and poignant Wordle a couple of weeks ago on the topic her February miscarriage, i hadn't considered that the novelty site might also serve as a tool for art therapy of a sort; that it could offer a mirror reflecting one's own words and sorrow and thought processes back to oneself, reconfigured.

the healing process doesn't really end, i don't think.  the pain becomes less immediate.  the desire to connect to it fades.  but, for me, with peace has come a curiosity about meaning, an urge to explore - from outside the raw wound that is personal narrative - what it means to live through loss and come through the looking glass.

so i entered text from my own posts here into Wordle, and stepped back, imagining myself perched on a bench in a wide, minimalist gallery, taking in the conglomeration of words and connections as if they'd sprung from some elsewhere, as if the blood they spoke of was foreign to me. there is healing in distance, my grandmother always told me. there is insight, i thought, maybe, to be found in this bird's eye view that brings my words back to me jumbled and reorganized, full of acrostic mystery.  

i cast my tea leaves and hit "create," and time, and think, and baby and grief and wanted all leapt from the page, not entirely unexpected but still surprising in their relative size and relational combinations.  in Wordle, the frequency of words in the base text impacts what size those words show up as in the created piece.   time made me nod.  think made me laugh.  i overthink everything, always have, but didn't realize the theme had come through so dramatically in writing.   the left-hand side conjunction of still, think and back juxtaposed with the alternate combination of still, go and back - with go slightly smaller, like a longing finally discarded - made me wistful...for the longest time, in my sorrow, i wished myself back to the time when my son was alive.  in moving beyond that place of wishing, i have left something behind forever.  but both realities - the one in which i think back and the one in which i would go back if i could - are present in the Wordle, roads diverged only by one word.  elsewhere, tiny wanted baby and peace wrong and healed though never exactly enough and the way lost fits inside time all catch my eye, my breath.  these are things never quite articulated aloud, yet there they are, alive on the screen.  seeing them is like looking through an old photo album, a former life flooding back in the recognition.

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what do you see?  have you tried one of these for yourself?  is this art for you, or just a novelty gag?   what place has art - of any kind, writing included - had in your own grieving and healing process?