tattered and faint

The plastic hospital fork felt slippery in my latex-covered hand as I fed my mother unpleasant mashed potatoes.  She hated the taste and that she had to be fed and I hated having to do it, but neither of us had a choice in the matter.  MS is a brutal disease and this most recent trip to the hospital was as enraging and scary for her as it was brutally sad and awful for me.  But my presence made her feel better, and I would do anything I could to help her heal enough to get back home.

I ate alone that afternoon before I went in to see her and I could feel my sadness as a physical presence in my body.  Silas's death was not an inoculation from grief.  I learned many things from that experience but one of the most important was that the only way through it is straight ahead.  I also learned that silence and aloneness and grief are utterly tied together for me.

Sitting in that restaurant yesterday it felt like an old familiar poison coursing through my veins. I felt more than just alone.  I felt a complete Otherness, like an alien in my own skin, totally cut off and unlike anyone else in the establishment.  I also knew I appeared absolutely normal and that no one there would ever suspect my blood had turned sluggish and thick, that my guts had a hole in them bored straight to Hell, that my heart was clenched like an angry, angry fist and that my soul was tattered and faint once again.

Silas's death was sudden and impossible.  That perfect pregnancy shattered in an instant and I felt cut to pieces.  My mother's sickness is a slow grind of failings and infections but the shock of a loved one in the hospital and in mortal peril is equally devastating in much the same way.  I guess that is what happens when hope is revealed to be nothing more than a wish, and that health and life are revealed as fleeting and delicate.

My mother may yet heal enough to go back home, but she won't walk out of the hospital.  She has not been able to walk in years.  She may battle off this latest infection and be granted a few more years but it is impossible to know.  It is terrible, but I cannot help but look at her and know that someday, someday sooner rather than later, she won't be here anymore.  It turns out that despite the years of crying after losing Silas, that I have not used up my life's allotment of tears.

Sometimes my grief is all-encompassing, transforming the world around me into a pale, featureless void that echoes the endless blackness within.  Sometimes it compresses into that angry knot gripping my heart so that I can breath and eat and live but only with great effort.  Every now and then when things are particularly good, that sadness is reduced to a tiny, dense speck that I can almost overlook except that it is so small and compacted and ridiculously heavy that nothing can move it from the core of my being.

I can't make it be anything else than what it is, though, and the only way to endure is to breath as deeply as I can, let the pain wash through me as tears and shit and rage, and try to force another tasteless bite of food into my body before I go and help my mother do the same.  Her incredible strength and will to live has kept her going for thirty-eight long years with MS.  Her example was what gave me the strength to battle through the worst of my pain when Silas died, and now I have to be strong for her, too.  I know I can do it because I've already done it, because she showed me how.  I just hope I have enough for all of us.

How has the loss of your child or children altered your sense of sadness and grief?  Have you had to deal with losing other people in your life since you lost your child?  How was that grief different or similar?  What does your grief feel like in your body?

One blushing shame, another white despair

We are in a cafe. I blush and stutter. I look through my eyelashes at our neighbours, laughing into their lattes. I murmur, fearing their ears.

We are at my house. I breathe in and unseal my lips in a tiny gesture of anticipation. We are friends, confidantes. You are unshockable in the presence of my grief and rage. But now I am aware of the couch we sit on, the bedrooms above us.

So perhaps it is better that we are in neither of those places. You are there. I am here. This is silent noise. You can adjust your features so that they appear neutral, impenetrable. No one need know that this is what you’re reading. Unless you blush too.

Because here is the thing, the topic, the theme, the issue, the matter at hand. Here is the subject of this post. It’s... it’s... it’s... sex after loss and there is no pretty or dainty or literary way to say it other than that:

Sex after loss.

And what a complicated and difficult subject to address. In grief you yearn. You yearn for a little body, a milky mouth, a tiny foot in the palm of your hand. Is there room for that other yearn, that other want? To need, to desire: they have different meanings now. And now sex becomes about another baby, or not another baby; about bodies that don’t do what they’re supposed to. Bodies mean pain, or sick, or tired. Bodies are small and covered in wires. Bodies are still and cold. Bodies are not the colour of your lover’s skin, but mottled and blue.

Some people are drawn together and some are wrenched apart.

We were wrenched apart, but still we came together. We wanted our baby and so we were naked in our nakedness. And so another baby came. But that is not a given for our kind. There is no guarantee of fertility or of the end result. The end result: the one that seemed so certain to me all those years ago as I stomped up the stairs of the sexual health clinic in second hand army boots, for condoms and pills and other armour.

We are all different. You might believe that my kind of sex neither takes its appropriate form nor serves its appropriate function. You might have stomped up stairs for the same reason I did, or you might find that abominable. You might have loved it, or not. You might have shared it with many people, or with one. It’s political, it’s personal, it’s universal, it’s fucking everywhere. There’s fucking everywhere. In the same way that in those early weeks after Iris died every woman was pregnant, every commercial was for baby paraphernalia, every goddam Facebook status update came with a fuzzy ultrasound photo. Everywhere, everywhere, everywhere, until sex WAS loss and its expression evidence of the distance between us.

I pause and exhale. My hands push in to my eye sockets. I wish we were in that cafe, or at my house, or better still at a bar with an infinite  line of tequila shots and a cute bartender, and I would shout ‘SEX!’ too loudly, and everyone else would blush,  and we would cackle instead of cry.

But instead you are there, and I am here, and now I have to ask: how was it for you?

Has sex changed for you in your grief? Why? How? In what way? Be frank, be euphemistic, be anonymous, be however you want to be, but please tell me.

good grief

'Tis very true, my grief lies all within; 
And these external manners of laments 
Are merely shadows to the unseen grief 
That swells with silence in the tortured soul; 
There lies the substance: and I thank thee, king, 
For thy great bounty, that not only givest 
Me cause to wail but teachest me the way 
How to lament the cause.

A voice. It sounds as though it is coming from far away although its source is right next to my ear. "Stop it. You're embarrassing yourself," he hisses at me. I don't respond. I don't stop. "You're scaring that little boy." 

I can feel his muscles tensing, wanting to move away from me. But he doesn't.

I have fallen into parts. A dry, thin, Greek chorus of me hovers up close to the ceiling. Tutting and disapproving. Scathing. All this emotion. So very florid and unprepossessing. It idly ponders things like the upholstery on the chairs and the many layers of gloss paint on the hot water pipes, painted and repainted over and over again. Bored with the hysterical fit taking place beneath.

I note the frightened face of the young boy with distant horror. "Shut up, shut up, shut up," I whisper at the collection of other fragments of me gathered on the floor of the same hospital corridor.

They form a fleshy tube designed for howling through, with my physical features stretched and wrapped around its outside. They slump on the floor, melodramatically collapsed. They wail and leak. And continue to wail and leak. Blood, milk, water, phlegm. They are beyond being reasoned with. 

The distant pieces inform me that I should be embarrassed and mortified.  And I am sorry for scaring that passing little boy. Very sorry indeed. It seems to me that his mother has an accusatory glint in her eye. But I cannot stop.

He looks at me, my husband, with a look that has been repeated many times since. 

You are doing this all wrong, you are very strange and you are a stranger to me. You are, not to mince my words, completely and utterly batshit crazy. My wife, what on earth has happened to you?

***

This is not how I thought I would react. I had an idea, before I had experienced any such thing, that I would be elegant in grief. Graceful. Gracious. I imagined that I would retain my kindness. That I would be considerate. That I would be the tower of strength that others could lean against. 

But I never imagined that the first death I would contend with would be that of my child. My three day old daughter. It transpired that I simply couldn't grieve for her quietly or discretely. This experience knocked my small claims to calmness, stoicism and compassion over the head and carried them off. Leaving a space to be occupied by my inner banshee.

Death didn't barge in. Not yet.

I still wanted to pretend that I hadn't even seen Death come in at the door. Because, in my childish grief mind, if I didn't see Death, perhaps he wouldn't see me. Or them. Besides there was no room for Death. There was no room for anyone at all apart from me and my daughters. I barged in on myself and squashed my face into my own face so hard, that I could no longer see. There was only me. My grief. My pain. My own closed eye pressed up against my own closed eye. Forming a greedy trinity with my children that occupied my entire field of vision, relegating my husband, my sister, my mother, my father, manners, social conventions, simple human decency, all to the peripheries. 

I was not the ascetic grieving mother, dressed in black with a single tear welling in the corner of her eye. Grief didn't endow me with restraint or wisdom. I was a despairing, empty thing with a ravening maw. Cramming myself with sweet things, fussing like a toddler over being too warm, too cold or too tired. As though all the inhibitory circuits in my brain and the taboos ingrained therein had been abruptly switched off. I wanted to scream and drum my heels deep, deep into the ground. Eat twenty three packets of chocolate biscuits. Walk around all day wrapped in a duvet. Storm around in tears, unable to contain anything, sending it all spinning out into the ether. 

But a few weeks later, I woke up, showered, dressed, brushed my hair, applied my make up and drove to the hospital. I sat quietly by the remaining incubator. Tears moistened the corners of my eyes. When one of the nurses asked me why I looked so grumpy, I replied, "Oh, that's just the way I look. No need to worry. I'm fine."

An internal switch had been thrown and I can't go back. To that greedy, grasping, uninhibited sadness. Sometimes I almost regret it, almost miss it. I don't think I'll ever cry for my daughter on the floor of a supermarket again. No matter how much I might feel as though I want to.

***

I am not proud of my behaviour in the immediate aftermath of Georgina's death. I have had to apologise to many people. But I don't know how to find that little boy or the young man who rounded the corner of the supermarket aisle looking for a tasty snack only to be confronted by a wailing woman in amongst the crisps. 

At the time, it didn't feel anywhere near enough. Part of me wanted to make even more fuss, to scream louder, to tear my hair and rip my fingernails out and leave them in a pile in the corridor, to scare more passing children. Surely my daughter's death deserved to be marked by more than the scaring of one paltry little boy?

At other times, it feels like too much. How could I have done that? How could I have folded in on myself so weakly, so comprehensively? How could I have frightened that little boy and embarrassed my husband? How cruel and how selfish.

Nobody can teach you how to lament. You can only muddle through in your own fashion. 

And no matter how public the display, or how private the lamentation, it would have been only the merest shadow of that unseen grief, the substance of which is known only to me.

Do you feel that there is such a thing as 'good' grief? Some sort of standard (or polite) way of behaving in the event of a bereavement such as this? Do you feel other people might be holding you to this standard, judging your grief as a success or a failure? Are you even judging yourself? 

Do you feel you let everything out or kept everything in? Do you feel proud of how you grieved? Or do you, like me, look back slightly shamefacedly?

Beautiful Empty

It was a Saturday, 8:30 in the morning. I was humming down Orange Grove Boulevard on one of those rare, glorious Los Angeles overcast days. A gray fog hung around lazily while the landscape seemed to be collectively exhaling, on account of the sunless sky, which normally burns and glares and sears until this desert landscape is charred brown. Trees drooped in thanks, flowers lay still, doing their part to not jinx the unfamiliar sky. Even the sidewalks and streets were near empty, as if work and play and errands and coffee were traded in for longer sleep in darker rooms.

I was alone. My mind seemed to match the stillness with one of those rare states of near nothingness, where thoughts and ideas and people and conversations and to-do lists and worry are replaced with what is only visible to the immediate eye. Red light. Green light. Trees, houses, fence. Turn left. I relished the unusual clearness of mind.

It was in this peaceful state, this nothingness, when Margot suddenly rushed up to the surface. Her being, her name, the idea of her seems to have taken up residence in my pores and under my skin and in all of the recesses of my mind that I never knew existed. Out of all these places, she rose up, speaking to me in this nothingness. But this particular morning, it was just her.

Her. Margot. Without everything else.

There weren’t any questions about the future state of our emotions. Will we be happy again? How happy? Will our grief continue to evolve? Will the sadness ever really feel lighter?  What happens if she starts slipping away? There weren’t any thoughts about friends who have let us down or those who have been there. There wasn’t any anger. There weren’t any concerns about impending situations of social anxiety. There weren’t any dark thoughts about her death and cremation. Or frightened memories of the hospital and almost losing another life. There wasn’t any confusion over the philosophical questions of life that have resurfaced. There wasn’t any anxiety over the possibility of future children or losing the living one we still have. There wasn’t any jealousy over the happy and innocent families that took their babies home. There wasn’t any hurt over insensitive comments or those who diminish or ignore our heartache. I was free of disappointment and depression and regret.  In this moment, it was just my Margot, in the purest form of missing, without all the baggage that usually clouds up her absence. It was, perhaps, the first time the missing held me completely captured since the first time I held her in a darkened hospital room.

I pulled over and cried out for her as I did in the hospital. I screamed her name. I spoke to her as a Father speaks to his children. The brokenness was as raw as ever, yet it left me hanging delicately in a state of calm. The missing felt real, felt good even.

How nice would it be if grief were this tangible, this straightforward? How convenient to simply miss our kids off and on through the days and years, not having to face the other elements that come with grief?

Because so much of the time it’s not just her anymore. Somewhere along this lonely path, the worries and jealousy and concerns and confusion and hurt and anxiety and over analyzing and constant evaluating have ganged up, in an organized mob attempt to distract from the very core of what matters.

My daughter, my second child, the one who should be pulling ornaments off the tree, is missing. And, well, I simply miss her.

Are you able to simply miss your own children, or do you feel the weight of other elements of your grief? Does the simplicity of the missing grow over time, or do all of the other elements to grief get stronger?

la llorona

photo by A30_Tsitika.

I paint my face like a calavera. I don't know what I am trying to achieve, making myself look dead, but I do it. I am alone. It feels like I am doing something wrong, and in that way, I am excited. I put a base of white onto my face. It reminds me of high school and listening to the Cure and being a punk rocker. Then I pull out the black face paint crayon and draw a joy there, a swirl here. Some flowers and decorations. I am more beautiful with the mask of death.

I want to feel close to her.  I want her to be amongst my posse in the afterlife, the otherworldly gang of ancestors that come when the veil between the living and the dead is thinnest, guiding me into good real estate decisions and warning me of enemies. I beckon her to come this day, the next and one after that. To rest in my arms while I dress like a calavera. We are but a whisper away from the other side. Maybe we are a coat of white face paint away.

I straddle cultures. I straddle existences. Half-white. Half-Latina. Half-mother. Half-La Llorona. I am an erstwhile Catholic and a half-assed Buddhist. I spent years living on the Mexican border in Arizona, speaking Spanish like a Chicana, and come home to a house full of Panamanians. I married a Southerner and live in New Jersey. I have attended midnight masses in four continents. I put each image of death, each candle burned, into a steaming cauldron, stew them for decades. I take some dark ideas out, adding liturgy and spells, until it is a soothing, warming bowl of ritual. Because above all else, I am a ritualist. I like rites. I like routine. I like customs. I like ceremony. I like something to do over and over because it is. What. We. Do. So I paint my face. I paint my face and I build an altar across my dining room. And I pull out the pictures of the dead.

I line up their photographs on my ofrenda. This time of year feels sacred and frightening. The leaves fall. My people fall. My grandmother. My aunt. My great-grandmother. My grandfather. My father-in-law. My daughter. So, I take a bit of them and add it to my Día de los Muertos altar. I decorate it with their funeral prayer cards, the Irish blessing written on the back. I put little bibles and prayer books. There is a rosary created by a blind nun and a bowl of fruit. I make sugar skulls. I paint a large painting of a woman crying and holding a stillborn baby. I hang it in the middle of the wall, papier-mâché skeletons flanking each side, flower lights hanging around the wooden frame.

Ssssshhhh. Don't tell anyone, but the painting is me and Lucy. It is a 16 inch by 20 inch secret done in bright acrylic. I tried to paint the Virgin Mary, but I always paint me holding Lucia and crying. It is pathological. It makes others uncomfortable. There is this show of competing artists. One of them could take pictures of nothing but clay and red dye that looked like bloody  internal organs. She suffered from colitis her whole life. She tried to create other work, but she always ended up painting organs hanging from a box. I keep painting my dead daughter. I paint death because I do not show her picture in my house, except on Day of the Dead. I put her picture in this little brightly colored frame that betrays the gray of our heartbreak. I can close it up with an orange ribbon when neighbors come by. Does anyone notice our Lucy there, lips red as the sacred heart? The lips are strange and mesmerizing to me, and I have kissed them. The dead wear makeup too.

+++

Is it okay to tell you a ghost story? It is Halloween after all. Sometimes I feel like La Llorona, the Wailing Woman, who walks the edges of ponds, arroyos, the rivers, the places where water runs and her children might wash up. See, the legend goes that her children were swept away by a flash flood, carried off dead, and she, driven insane by the grief, wanders the rivers of the world looking for them. She screams and keens into the night. In another land, the legend is that she killed her children herself, threw them in the river. But the end is the same--they are gone, and she is condemned to wander the earth. But the scream is one we all know. She screams into the night, "Dios Mio! Mi hijos! Mi hijos!" or "My God! My babies! My babies!"

She is beautiful and terrifying. Every old man and woman in Mexico has a La Llorona story, even my mother. It is a ghost story, a nightmare, to lose your children. Everyone knows that. La Llorona is a warning told to children who become young adults. Do not venture out at night or La Llorona will snatch you. Do not go meet your boyfriend by the riverbed, under that beautiful weeping willow, La Llorona will steal you from us. I am both comforted that child loss is acknowledged, even in ghost stories, as something to drive you mad, condemn you for eternity, and also sad that we have such bad PR. I get La Llorona, I do. I feel condemned some days. Like La Llorona, wild hair, wild eyes, wandering the babylost rivers of the internet, wailing, "Dios Mio! Mi hija! Mija! My daughter. My daughter. Oh  my God, my daughter."

This time seems wrought with ghosts and visions and the other world. Today is Halloween and Samhain, the Witches New Year. Tomorrow and the next day, the Days of the Dead. Tomorrow is Día de los Inocentes ("Day of the Innocents") also known as Día de los Angelitos ("Day of the Little Angels").  November 1st is a day set aside to honor children and babies who have died. We who wander the internet wailing have created our own culture around death, our own rituals of mourning. An angel writes our baby's name in the sand across the world. We write poetry. We light candles together. We trade skulls and hearts and ornaments.

I paint my face white, turn myself into a skull. I commune with the dead. I create elaborate altars for her. I summon her, conjure her baby form in the arms of my grandmothers and aunts. I stare into a bowl of water, scrying and crying. There is something comforting in the desperation of these motions. It is something other than wailing.

What ways do you honor the dead during Halloween, Samhain or Days of the Dead? Or if you don't, why not? What rituals have you created for yourself? For your family?  Are these rituals different for your baby(ies) than for your older ancestors? Do you connect with the community of parents who have lost children during October? What rituals feel most comforting to you?

the relentless pursuit of living

I'm used to the lies by now.  They are common and easy to say.  I say them for the sake of other people, but also for myself.  I have to lie so that I'm not always the guy that sucks the air out of a room, even if that room is the entire outdoors on a glorious fall day at the farmer's market and someone has questions about me, about my life, about how I'm doing.  There is no point in ruining every idle conversation and friendly chatter with truth about my dead son Silas.

You're welcome everyone I spared the honest recounting of my recent life.  It isthe absolute least I can do, and it cuts me with a slice of sadness every time I do it.  Three years since he died and it is still recent to me.  Because it is not so much that time has healed my wounds as much as it is that the wounds themselves are the very nature, the very fabric, of my everyday existence.  I miss Silas as a matter of course, just like breathing, just like moving my body, like blinking, like the beat of my heart.

I am still amazed to have learned that a heart can remain beating when it feels like only dust and awful and the endless void inside.  I am compelled to go forward, no matter the pain of my past.  If anything, his lost life is a fuel for me to live twice as hard, twice as present, twice as calm as I ever would have before.  Not enough, of course, it will never be enough.

Things don't always happen for a reason, and it is always better with Silas sleeping in a room just beyond the wall.  That is a lie I usually don't let people tell me.  That's one I have to correct whenever that awful platitude is thrown in my face. I try to be nice about it, but I can't help but say that no I don't think everything happens for a reason.

I think each of us are a living force to make reason and sanity and beauty and love out of absolute chaos and despair.  We lie to ourselves about feeling okay until one day it sticks a little bit.  We pretend that it is fine to not demolish everything we see out of rage and loss.  We answer the questions.  We smile through the pain, feeling the smile our son or daughter might have shared through glorious living genes.  We breathe their lost thoughts.  We dream their silent fears and inchoate hopes and live a tiny shadow life sometimes of what should be.  What could have been.  What isn't.

I have to remind myself that I'm not crazy sometimes.  When I wake up from the dream where I've missed the flight again, but I don't really care, but I do because I should but I really don't.  I have to lay there for a moment and chill, hoping there are still hours before the appointed time of get the fuck out of bed or else.  And I lay there and wonder how I'm not crazy, with a dead son and lost future and all.  It feels good, then, in the cool autumn morning, when I feel dream-crazy and life-crazy and sleepy-person-lazy-crazy and realize that everyone feels this way.  Everyone lies about how okay they seem to be going down the road feeling fine.

But look at the art. Look at the movies and books and paintings and poets.  Read the headlines.  Walk the streets.  There are endless crazy universes inside everyone's head.  A precise and compelling recounting of life and death and love and loss inside the brain of everyone around you.  Some are people of this community that don't even know we exist.   Babylost medusa crazed father parents that don't have their kids are out there in the towns and cities and hamlets where all of you live.  Not to mention families that are victims of car accidents, cancer, embolisms, old age, and on and on.

The people around us tell us lies to help themselves, to save us, to get by.

I always wanted to crush every moment of time that I have into a succulent nectar of life itself that I could wallow in and enjoy.  I thought that raising my son Silas was going to be the way I could do that.  I anticipated a rich life remembering my childhood as I stood there amazed at his development.  I thought I was going to be the best dad of all time.  I couldn't wait to learn everything I couldn't even begin to comprehend as I watched my son live his amazing life.

September 25, 2008 was supposed to be the start of an incredible chapter of life and growth and offspring and hope in my life and instead it was the complete opposite.  And when he died I had a choice.  I could give up or I could go forward.  For a moment the choice was absolutely clear.  When I was told that he was dead in that moment I could have followed him along directly.  A leap off the building.  A scalpel.  The wall and my head. But then right away thoughts of Lu and family and friends flooded my brain.  I had to be strong because this situation was already going to fuck everything up forever and I couldn't also double down and make it worse.

So for many, many months, not killing myself was the baseline I had established as "doing pretty good."   Plus, when you start there, getting out of bed is like successfully ascending Mt. Everest.  I gave myself accolades for simply going outside for a little while.  But those impulses kept growing, kept beating in my heart, kept pushing me forward.  I learned to lie and love it.  I learned to breathe again.  And yet I'm still not sure I can reconcile what my life should be vs what it is today, right here, one month out from Lu's c-section and the start of everything that comes next.

Everything is always coming next, and it is the incredible human spirit, our very nature, that allows us to face the day and tell the lies and forge the hope we have no right to expect and yet we do, and we do and we do.

Make your lies wishes.  Live extra bright and do not let the lies you have to tell stop you from living your life as honestly as you can.  We will always have a special armor, a veneer of experience that is too awful to wish on anyone but also incredibly, terribly, powerfully true.

Go easy through your day and let the simple, innocent grace of your lost child guide you toward patience and serenity.  Oh and also, don't go any more crazy than you are.  We're all crazy enough as it is, and that's the truth.

What are your lies?  What are your truths?  Do you believe that everything happens for a reason?  How do you fit the truth of your lost child or children into your sense of the how the world works?  Do you feel crazy and okay like me?